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We have lived through the death of the DVD commentary. In the 2000s, listening to Robert Rodriguez talk about Desperado for 90 minutes was a nerdy pastime. Today, that same energy has morphed into vertical video.

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Exclusive content is no longer just for the masses. The most profitable segment of the market is the niche exclusive. We have lived through the death of the DVD commentary

This bifurcation means that "popular media" is dissolving into millions of micro-audiences. One person’s "must-watch exclusive" (a Korean drama on Viki) is another person’s "never heard of it." This bifurcation means that "popular media" is dissolving

We have lived through the death of the DVD commentary. In the 2000s, listening to Robert Rodriguez talk about Desperado for 90 minutes was a nerdy pastime. Today, that same energy has morphed into vertical video.

Not all exclusive content is blockbuster-sized. The Criterion Channel has turned "The Closet" videos into a genre of popular media unto themselves. Watching a famous director geek out over a 1950s Japanese drama is hyper-niche, yet these clips generate millions of views on TikTok. This proves that exclusive entertainment content doesn't need to be expensive; it needs to be authentic. The proximity to the creator is the commodity.

Exclusive content is no longer just for the masses. The most profitable segment of the market is the niche exclusive.

This bifurcation means that "popular media" is dissolving into millions of micro-audiences. One person’s "must-watch exclusive" (a Korean drama on Viki) is another person’s "never heard of it."