AF60S is an innovative mobile payment terminal based on smartphones and other mobile devices, connecting to the Internet through wireless Bluetooth & USB interface. Combining an intelligent operating system APP, the device provides a one-stop payment solution for small enterprises. In order to maximize the payment system, minimize the device, and separate payment of one customer from the customer, an intelligent payment device - AF60S is designed to meet customer value-added and customized applications. It’s easy to carry, operate, maintain, intelligent, and so on.
Straight design, simple numeric keypad, fashion appearance, Easy to handle and operate PIN input
Supports Android, IOS operating system, Compatible with Bluetooth 2.1-4.2 Long standby time
High-level security chip , multiple tamper and self - destruction mechanism PIN input device safety assessment test certification EMV, PBOC, PCI certification Fully guarantee the safety of the user
- Supports readable contact IC cards
- Supports 13.56 MHz contanctless cards
Two peer‑reviewed papers have emerged from university seminars:
Both papers argue that the project exemplifies a methodological shift toward algorithmic‑inspired constraints that nevertheless promote organic emergence.
Founded in 2008 by visual artist Jasper L. Ortega, TadpolexStudio emerged from an abandoned warehouse in the Riverbend district—a neighborhood then undergoing rapid gentrification. Ortega’s vision was simple yet radical: a laboratory where “artistic species could metamorphose.” The name itself—tadpole (the embryonic stage) plus x (the algebraic symbol for unknown variables)—signaled an intention to nurture nascent ideas and allow them to evolve unpredictably. TadpolexStudio 24 11 12 Mckenzie Mae And Raven ...
By 2012, the studio had cultivated a reputation as a haven for experimentalists: a place where a kinetic sculptor might share a floor with a sound poet, where a code‑artist could hack a vintage projector. Its programming emphasized process over product, encouraging participants to document, iterate, and—crucially—invite the audience into the making. In this fertile ecosystem, the convergence of McKenzie, Mae, and Raven felt inevitable.
Within a year, TadpolexStudio’s model inspired three other community spaces—Flux Lab (Portland), Mira Hub (Austin), and Neon Marsh (Baltimore)—to adopt “responsive environments” that incorporate audience weight, biometric data, or ambient sound as compositional parameters. Grant proposals citing the 24/11/12 project received over $2.3 million in combined funding from the National Endowment for the Arts and private foundations. Both papers argue that the project exemplifies a
“TadpolexStudio” is not a conventional brick‑and‑mortar space; rather, it is an idea‑based incubator that materializes wherever its members choose to work. The name itself is a hybrid: tadpole evokes the embryonic stage of transformation, while the suffix ‑x signals an experimental variable, an unknown to be solved. This duality mirrors the project’s core ambition—to capture the transitional moments that precede fully formed identities, both personal and artistic.
At TadpolexStudio, every project code tells a story. Today, we’re excited to pull back the curtain on Project 24 11 12 – our latest photoshoot and visual narrative featuring two incredible talents: McKenzie Mae and Raven. Within a year, TadpolexStudio’s model inspired three other
What started as a simple concept mood board evolved into a full day of creative energy, vulnerability, and artistic synergy.