Suicideboys Discography May 2026

Emerging from the murky, humid underbelly of New Orleans in 2014, $uicideboy$—the cousin duo of Ruby da Cherry (now $lick $loth) and Scrim (now $crim)—built a discography that is as much a therapeutic autopsy of addiction, depression, and poverty as it is a sonic revolution. Rejecting the melodic autotune of mainstream SoundCloud rap, they forged a jagged hybrid of Memphis horrorcore, 90s metal, chopped-and-screwed beats, and punk rock nihilism.

Below is a chronological breakdown of their essential releases, from the chaotic Kill Yourself sagas to their chart-topping major label debut.

The discography gets sparse here for a reason. Scrim nearly overdosed. The duo went silent. When they returned, they dropped Stop Staring at the Shadows (2020). This EP is the sound of clarity after a bender. The distortion is still there, but the lyrics shift from glorifying the drug use to recounting the horror of it.

Don’t shuffle. The discography is a therapy session, not a jukebox.

The Verdict: $uicideboy$ turned their trauma into a subscription service. While mainstream rap chased luxury, they chased the dragon—and eventually, sobriety. Their discography is bloated by design, chaotic by necessity, and brilliant because it never pretended to be anything other than two cousins from New Orleans screaming into the void.

Grey ‘til the grave.

Navigating the Abyss: A Guide to the uicideboyu i c i d e b o y Discography

Since emerging from the New Orleans underground in 2014, cousins Ruby da Cherry and $crim—the duo known as uicideboyu i c i d e b o y

—have built one of the most prolific and dedicated cult followings in modern hip-hop. With a massive discography that spans dozens of EPs, mixtapes, and chart-topping studio albums, their music serves as a raw "time capsule" of their battles with addiction and depression.

Whether you’re a long-time member of the Grey Day family or a newcomer looking for a roadmap, The Early Foundations: Mixtapes and EPs

The duo’s early career is defined by a relentless release schedule, often dropping short, abrasive projects that blended Memphis horrorcore influences with punk-rock energy.

The discography of u i c i d e b o y is massive, consisting of five studio albums, dozens of mixtapes, and their signature Kill Your$elf

EP series. To navigate it, it's best to break it down by era, from their underground beginnings to their recent Billboard-topping releases. 1. The Foundation: Kill Your$elf Sagas (2014–2017)

The duo gained a massive cult following through these short EPs. There are in total, often grouped into blocks. The Early Sagas (I–X):

Defined by raw, Lo-Fi production and heavy Memphis rap influences. The Later Sagas (XI–XX):

Features more polished production and diverse sounds, including the "Kingdom Come" and "Atlantis" sagas. 2. The Breakthrough Mixtapes (2015–2017)

During this prolific period, they released several projects that defined the "Dark Trap" genre. Essential listening includes: A fan favorite featuring "Clouds as Witnesses." My Liver Will Handle What My Heart Can't Includes their viral hit "Kill Your$elf (Part III)". Eternal Grey

Widely considered one of their best mixtapes, featuring a more aggressive sound. Apple Music 3. Studio Albums (2018–Present)

The studio albums represent their transition from underground icons to mainstream stars, often focusing on themes of sobriety and mental health. I Want to Die in New Orleans

Their debut studio album, featuring a cinematic, dark atmosphere. Long Term Effects of SUFFERING Features the hit "Avalon". Sing Me a Lullaby, My Sweet Temptation

Showcases a more melodic side with tracks like "Matte Black". New World Depression

Their fourth album, continuing their streak of high-charting releases. Thy Kingdom Come

Their most successful project to date, debuting at #4 on the Billboard 200 4. Essential Collaborative EPs ide $uicide A collaborative EP with that helped launch them into the spotlight. DIRTIERNASTIER$UICIDE The final installment of their trilogy with SHAMELESS $UICIDE A high-energy collaboration with Where to Start? If you're a new listener, start with the u i c i d e b o y playlist on Apple Music , then dive into Eternal Grey I Want to Die in New Orleans to understand their range. Apple Music $UICIDEBOY$ | Rap/Hiphop Wiki | Fandom

The Evolution of u i c i d e b o y : A Discography Deep Dive

From a New Orleans "shed" to the top of the Billboard charts, cousins Ruby da Cherry

have built an underground empire on raw vulnerability and a relentless work ethic . Operating under their independent G*59 Records

label, the duo has released nearly 50 projects, transitioning from dark, lo-fi "horrorcore" to more experimental, melodic sounds. The Studio Albums Suicideboys Discography

While their early fame was built on SoundCloud mixtapes, their official studio albums represent major career milestones.

The uicideboyu i c i d e b o y discography is defined by its staggering volume and a distinct sonic evolution from raw SoundCloud "horrorcore" to chart-topping studio LPs that explore sobriety and spiritual growth. The Blueprint: From SoundCloud to G*59

The Pact: Cousins Ruby da Cherry and $crim founded the duo in 2013 with a literal "success or suicide" pact.

Rapid Prolificacy: In 2015 alone, they released 6 solo EPs, 5 collaborative EPs, and 6 mixtapes, totaling 161 songs in one year.

Independent Growth: Every project is released under their own label, G*59 Records, which they used to build an underground empire without mainstream radio play. Core Eras & Evolution

The duo's sound, primarily self-produced by $crim under his pseudonym Budd Dwyer, has shifted through three distinct phases:

The Eclectic and Prolific Suicideboys Discography: A Comprehensive Guide

The Suicideboys, an American rap duo from New Orleans, Louisiana, have been making waves in the underground hip-hop scene since their formation in 2014. Comprised of cousins Scrim (formerly $crim) and Ruby da Cherry, the duo has built a reputation for their unique blend of trap, cloud rap, and punk-infused sound, as well as their often dark and introspective lyrics. With a prolific output that rivals even the most established artists, the Suicideboys discography is a vast and eclectic one, spanning numerous mixtapes, EPs, albums, and collaborations. In this article, we'll take a deep dive into the Suicideboys' extensive catalog, highlighting their most notable releases and exploring the evolution of their sound.

Early Days (2014-2015)

The Suicideboys' early work was marked by a DIY ethos and a penchant for releasing music on SoundCloud and Bandcamp. Their debut mixtape, "Guillotine" (2014), was a raw and unapologetic introduction to their sound, featuring lo-fi beats and lyrics that explored themes of depression, anxiety, and substance abuse. The tape gained traction online, attracting the attention of fans and fellow artists alike.

Over the next few months, the duo released a string of EPs and mixtapes, including "Cyanide Washing" (2014), "The Suicideboys $uicide" (2015), and "Death $uicide" (2015). These early releases showcased the Suicideboys' nascent sound, which was characterized by its dark, often disturbing subject matter and a fusion of hip-hop and punk influences.

Rise to Prominence (2015-2017)

The Suicideboys' big break came in 2015 with the release of "$uicide $ection", a collaborative EP with fellow New Orleans rapper and producer, Trauma. The EP's success led to a record deal with Black $uicide Records, an imprint founded by the duo themselves.

The following year, the Suicideboys released "8 Ball Choppaz" (2016), a mixtape that featured a more refined production style and lyrics that explored themes of depression, relationships, and street life. The tape was a critical and commercial success, cementing the duo's reputation as one of the most exciting new acts in underground hip-hop.

The Gray/Orange Era (2017-2019)

In 2017, the Suicideboys released "The Gray Chapter", a double EP that marked a significant turning point in their career. The album's more experimental sound and introspective lyrics resonated with fans, and it remains one of the duo's most beloved releases.

The follow-up, "The Orange Chapter" (2017), saw the Suicideboys continuing to push the boundaries of their sound, incorporating more rock and punk elements into their music. The album was a critical and commercial success, with many praising the duo's innovative approach to hip-hop.

Recent Releases (2020-Present)

In recent years, the Suicideboys have continued to release music at an incredible pace, dropping a string of EPs, mixtapes, and albums that showcase their continued evolution as artists.

"I Want to Die in New Orleans" (2020) was a sprawling, 30-track mixtape that featured collaborations with artists like D-Block Europe and City Morgue. The tape was a fitting tribute to the duo's hometown and a testament to their ability to craft infectious, high-energy beats.

The Suicideboys have also released several EPs, including "Arizona" (2020) and "The Nail Files" (2020), which have further showcased their versatility and creativity.

Collaborations and Features

Throughout their career, the Suicideboys have collaborated with a wide range of artists, from underground rappers to established names. Some notable collaborations include:

Legacy and Impact

The Suicideboys' discography is a testament to their innovative approach to hip-hop and their refusal to be bound by traditional genre conventions. Their music has resonated with fans worldwide, inspiring a devoted following and critical acclaim.

The duo's influence can be heard in a new generation of artists, from rappers like D-Block Europe to producers like Trauma. As they continue to push the boundaries of hip-hop and explore new sounds, the Suicideboys remain one of the most exciting and innovative acts in underground music. Emerging from the murky, humid underbelly of New

Conclusion

The Suicideboys' discography is a vast and eclectic one, spanning numerous releases and collaborations. From their early days as a DIY duo to their current status as underground hip-hop heavyweights, the Suicideboys have consistently pushed the boundaries of what is possible in hip-hop. Whether you're a longtime fan or just discovering their music, there's no denying the impact and influence of the Suicideboys' unique sound.

Discography

This article provides a comprehensive guide to the Suicideboys' discography, exploring their early days, rise to prominence, and recent releases. With their innovative approach to hip-hop and their refusal to be bound by traditional genre conventions, the Suicideboys have built a devoted following and critical acclaim. As they continue to push the boundaries of music, their discography remains a testament to their creative vision and artistic evolution.

The discography of u i c i d e b o y , the New Orleans-born duo comprised of cousins Ruby da Cherry

, is a sprawling, prolific journey through the darkest corners of the human psyche. Since their formation in 2014, they have built an independent empire, G*59 Records

, on the foundation of raw, unfiltered explorations of addiction, depression, and nihilsm. Their work can be understood through three distinct phases: the "SoundCloud Era" explosion, the era of major studio evolution, and their more recent shift toward recovery and sobriety. The Foundation: The Kill Yourself Sagas

The duo’s early catalog is defined by its sheer volume and relentless pace. In 2014 alone, they released seven EPs, starting with "Kill Yourself Part I: The $uicide $aga"

. These early projects established their signature sound: a blend of dark, phonk-inspired production, distorted bass, and rapid-fire verses that drew heavily from Southern rap roots and Three 6 Mafia influences. By the end of 2017, they had completed 20 installments of the "Kill Yourself"

sagas, creating a massive, loyal underground fan base that saw their music as an authentic reflection of shared struggle. Studio Evolution and Mainstream Breakthrough

While their early work was defined by EPs and mixtapes, their debut studio album, "I Want to Die in New Orleans"

(2018), marked a pivotal shift toward higher production value and more cohesive storytelling. This album captured the chaotic reality of their rising fame while still battling the same internal demons that fueled their underground days. Subsequent projects like "Stop Staring at the Shadows" (2020) and "Long Term Effects of SUFFERING"

(2021) continued this trajectory, cementing them as a force that the traditional music industry could no longer ignore. Recovery and New Horizons

In recent years, the duo’s music has undergone its most profound transformation. Following a personal intervention and successful journey into sobriety for both members, their lyrical focus shifted toward recovery and self-reflection. "Sing Me a Lullaby, My Sweet Temptation"

(2022) is often cited as their "gentlest" work, featuring more melodic backdrops and bars that contemplate the pitfalls of their earlier, addiction-fueled mythology. "New World Depression"

(2024) continued this evolution, debuting at #1 on the Top R&B/Hip-Hop Albums Chart and proving that their fans remain as devoted to their healing as they were to their pain.

The Suicideboys Discography Hoodie is a popular piece of streetwear typically featuring the album covers or names from the extensive Suicideboys discography on the back. It is often associated with the group's "Grey Day" tours and is sold through retailers like Etsy and various fan-merchandise sites. Key Pieces & Merchandise Options

Discography Hoodie: Usually includes a grid or list of major projects, such as I Want to Die in New Orleans, Long Term Effects of Suffering, and the Kill Yourself sagas. Designs vary from minimalist text lists to full-color album art collages Etsy.

Album Print Bundles: For those looking for wall art rather than apparel, bundles featuring minimalist posters of their entire discography are available on platforms like Etsy

(often in limited edition colors like coke bottle green) at specialized stores like Vinyl Record Vault or CDs of Long Term Effects of Suffering on Desertcart. Discography Overview

If you are looking for the musical "pieces" that make up their discography, the duo has released numerous studio albums and over 40 EPs: Key Releases Studio Albums

I Want to Die in New Orleans (2018), Long Term Effects of Suffering (2021), Sing Me a Lullaby, My Sweet Temptation (2022), New World Depression (2024), Thy Kingdom Come (2025) Notable EPs

Radical $uicide, DirtiestNastiest$uicide, Yin Yang Tapes (Spring, Summer, Fall, Winter), and the 20-part Kill Yourself saga Mixtapes

Gray/Grey, 7th or St. Tammany, YUNGDEATHLILLIFE, Eternal Grey

Fans often discuss and share comprehensive lists of their 1,200+ individual tracks and projects on community forums like Reddit to help others find rare or unreleased "pieces" of their history. The Verdict: $uicideboy$ turned their trauma into a

The discography of the New Orleans duo uicideboyu i c i d e b o y

(comprised of cousins Ruby da Cherry and $crim) is one of the most prolific in modern underground hip-hop. Since their formation in 2014, they have released several studio albums and dozens of sagas and EPs, most of which are self-produced under $crim’s pseudonym, Budd Dwyer. Studio Albums

Their studio albums often mark significant shifts in their sound and commercial success:

I Want to Die in New Orleans (2018): Their debut studio album, which reached the top 10 on the Billboard 200.

Long Term Effects of Suffering (2021): A successful follow-up that continued their exploration of themes like drug addiction and depression.

Sing Me a Lullaby, My Sweet Temptation (2022): Further solidified their mainstream presence.

New World Depression (2024): Their most recent major studio release. The "Kill Yourself" Sagas

A cornerstone of their early career is the Kill Yourself series. These are short, themed EPs (often containing three tracks) that they released in rapid succession.

The Early Sagas (I–X): Released primarily in 2014 and 2015, establishing their "dark trap" and Memphis-inspired sound.

The Later Sagas (XI–XX): Released in 2017, featuring more refined production and experimental structures. Mixtapes and EPs

The duo released a massive wave of mixtapes between 2015 and 2017 that defined their "SoundCloud era": Gray/Grey (2015) 7th or St. Tammany (2015) My Liver Will Handle What My Heart Can't (2015)

Eternal Grey (2016): Often cited by fans as one of their most iconic underground projects.

Radical $uicide (2016): Produced entirely by Getter, featuring the hit song "Memoirs of a Gorilla." Collaborative Projects G.R.E.Y.G.O.D.S. Series: Collaborations with Ramirez. DIRTIESTNASTIEST$UICIDE: A trilogy of EPs with Germ.

Live Fast, Die Whenever: A hardcore punk-influenced EP with Travis Barker. Shameless $uicide: A 2023 collaboration EP with Shakewell. Solo Discography

Both members have released solo work under various monikers:

$crim: Released the solo album A Man Rose from the Dead (2020) and Lonely Boy (2024).

Ruby da Cherry: Released the punk/emo-influenced album tragic love songs to self-destruct to (2023) under the name DUCKBOY.

The discography of u i c i d e b o y (Ruby da Cherry and $crim) is one of the most prolific in modern hip-hop, characterized by a rapid-fire release schedule and a dark, "Grey" aesthetic. Their work is primarily released under their own label, G*59 Records 1. Studio Albums These represent their most polished, high-charting work. Thy Kingdom Come (2025): Their highest-charting album to date, debuting at #4 on the Billboard 200 New World Depression (2024): Continued their trend of top-tier chart performances. Sing Me a Lullaby, My Sweet Temptation (2022): Noted for its refined production and introspective themes. Long Term Effects of Suffering (2021): Explored sobriety and the aftermath of fame. Stop Staring at the Shadows (2020):

A shorter project that bridged the gap between their mixtape roots and studio polish. I Want to Die in New Orleans (2018):

Their major-label debut, capturing the chaos of their rise to fame. 2. The "Kill Your$elf" Sagas

A cornerstone of their discography, these are 20 individual EPs (Parts I–XX) released in batches between 2014 and 2017. They served as experimental grounds for their signature sound, blending Memphis rap influences with punk energy. 3. Major Mixtapes (The "Golden Era")

Between 2015 and 2017, the duo released a massive volume of work that defined the underground "SoundCloud Rap" scene: Eternal Grey (2016):

Widely considered a fan favorite, featuring darker, heavier production. Radical $uicide (2016):

Produced entirely by Getter, featuring the breakout hit "Memoirs of a Gorilla." Dark Side of the Clouds (2016):

Featured "Antarctica," which became one of their most iconic (and legally controversial) tracks. My Liver Will Handle What My Heart Can’t (2015): A raw look at addiction and mental health. High Tide in the Snake’s Nest (2015): Includes "Sunshine," a staple of their live shows. Gray/Grey (2015): Their first major full-length mixtape. 4. Collaborative EPs DIRTYNASTY$UICIDE (Vols. 1–3): GREY SHEEP (I & II): Solo-focused tracks within the duo framework. G.R.E.Y.G.O.D.S. (I & II): Shameless $uicide (2023): A collaborative EP with 5. Solo Projects Released the massive 30-song album via crucis in 2025 and A Man Rose from the Dead Ruby da Cherry: Released the punk-inspired project under the moniker Apple Music Where to Start? For the Hits: Start with I Want to Die in New Orleans For the Deep Underground Vibe: Start with Eternal Grey Kill Your$elf Part XX: The Infinity Saga For Modern $B: Start with Thy Kingdom Come Sing Me a Lullaby, My Sweet Temptation

The duo has settled into a comfortable groove: producing their protégés (Ramirez, Shakewell, Chetta) while still dropping quality material.

The Solo Projects (Scrim & Ruby):

By 2022, $uicideboy$ were headlining arenas. This album sees them embracing their role as elder statesmen of the underground. The lyrics focus less on active using and more on the wreckage left behind. It is their most melodic and guitar-driven project. Tracks: "Escape from BABYLON," "The_Eclipse."