Nadine Gordimer, the South African Nobel Prize laureate, had a unique gift for exposing the quiet, devastating fractures of a society built on apartheid. She didn't always need grand political speeches or violent protests to make her point. Instead, she often used the intimate, domestic interactions between white employers and Black employees to show how systemic racism corrodes the human soul.
Her short story, "Six Feet of the Country," is a masterclass in this approach. It is a story about death, bureaucracy, and the literal and metaphorical distances between people. If you’ve ever wondered how a simple funeral can become a political act, this story is the answer.
Here is a summary and analysis of this poignant tale.
The story is narrated by a white, liberal South African couple who run a small trading store and transport business near a rural "location" (a segregated settlement for Black Africans). They live on a small piece of land they bought from the government, but they feel disconnected from the landscape and the people.
One evening, their Black employee, Petrus, comes to them in distress. Petrus’s younger brother, who had recently arrived from the countryside looking for work, has died suddenly from pneumonia. The brother was not legally registered to be in the urban area, and as a result, the authorities have buried him in an unmarked, common pauper’s grave—a "six feet of the country"—outside the town’s official cemetery.
The narrator and his wife are outraged by the inhumanity and impersonality of this bureaucratic cruelty. They try to intervene, using their white privilege to demand the body so the family can give it a proper burial according to custom. They go through official channels, speak to clerks and minor officials, and even contact a lawyer.
However, their efforts fail. The authorities refuse to exhume the body. They are told the process is impossible and that the "native" died without a permit. The narrator experiences a deep, frustrating powerlessness. In the end, Petrus accepts the situation with quiet resignation, focusing on practical matters like retrieving the brother’s few belongings.
The phrase recurs throughout the story. Initially, the narrator owns “six miles” but cannot spare “six feet” for a grave. Later, the state denies even that. Finally, the narrator gives Petrus six feet of his own property—but it is a hollow victory. The six feet of the title are not just a grave; they are a measure of how little of their own country black South Africans were permitted to own. It is also a measure of the narrator’s moral bankruptcy: he can give land, but he cannot give dignity, home, or peace.
The narrator feels guilt, but it is a self-centered guilt. He wants to help Petrus not out of love for Johannes, but to soothe his own conscience for having refused the pass. Throughout the quest, the narrator and Petrus never truly communicate. They speak different languages not only literally but emotionally. When Petrus says, “He said he would come back,” the narrator hears a sad saying. But for Petrus, it is a broken covenant—a failure of the world to respect even the last wish of a dying man. six feet of the country by nadine gordimer summary
The story is narrated by a white, Jewish immigrant named Lerice, who runs a small “native trading store” with her husband (the unnamed narrator). They live on a small piece of land outside a major city, trying to make a living selling goods to black laborers and their families.
The couple’s relative peace is shattered when their black servant, Petrus, brings them devastating news. The narrator’s younger brother, who had recently arrived from the north (presumably Rhodesia or another African country) to live in the "compound" (a segregated barracks for black workers), has died of pneumonia. The narrator is shocked because he barely knew this brother; the man was simply one of many black workers on the property.
"Six Feet of the Country" is set on a farm near Johannesburg, South Africa, during the apartheid era. The story is narrated by a well-meaning but somewhat detached white farmer who employs several Black workers. The central conflict arises when one of the workers, a young man named Petrus, approaches the farmer with a request: his father has died unexpectedly.
In accordance with their rural traditions, the family wants to bury the old man properly on the farm. They ask the farmer for permission to use a piece of land—just "six feet of the country"—for the grave. The farmer, sympathetic but constrained by his own worldview, agrees.
However, the situation quickly becomes entangled in the rigid bureaucracy of the apartheid state. Because the deceased was not legally authorized to be on the farm, the white authorities intervene. The police demand a post-mortem, forcing the family to exhume the body. When the body is finally released after the autopsy, it has been handled disrespectfully, wrapped in a plastic bag rather than the traditional shroud.
The climax of the story occurs when the farmer attempts to retrieve the body from the city morgue. He arrives too late; the morgue has closed for the weekend. By the time the body is finally returned to the farm, decay has set in. The family is forced to bury a corpse that has been violated by the state and delayed by the farmer’s inability to navigate the system effectively. The story ends with the narrator reflecting on the tragedy, realizing that his sympathy was useless against the crushing weight of a system that denies basic human dignity.
A few days later, Petrus returns, frantic. The family has gone to the cemetery to mourn but cannot find the grave. When the narrator goes to investigate, a horrific bureaucratic error is revealed.
The white authorities at the cemetery office tell him, with total indifference, that there was a mix-up with the paperwork. Instead of his brother, another black man—a complete stranger—was buried in the plot that was supposed to be for the narrator’s brother. Worse, they cannot locate the narrator's brother at all. The bodies were swapped because, as the clerk says, “they are all natives.” Nadine Gordimer, the South African Nobel Prize laureate,
The narrator’s brother has been lost in the system—buried in an unknown, unmarked grave, denied even the meager six feet of earth his family requested.
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Nadine Gordimer ’s " Six Feet of the Country " (1956) is a poignant exploration of racial injustice and the dehumanizing effects of apartheid in South Africa. The story centers on a white couple living on a farm near Johannesburg who become embroiled in the bureaucratic tragedy following the death of an illegal immigrant laborer. Plot Summary
The unnamed narrator and his wife, Lerice, move to a farm outside Johannesburg hoping to salvage their strained marriage. However, the idyllic setting is shattered when a young man from Rhodesia (modern-day Zimbabwe)—the brother of their farmhand Petrus—dies on their property from illness and exposure. Six Feet of the Country Summary and Study Guide
Six Feet of the Country " is a powerful short story by Nobel Prize winner Nadine Gordimer
, first published in 1956. Set in South Africa during the apartheid era, it explores themes of racial inequality, bureaucratic indifference, and the failure of human empathy. SuperSummary Plot Summary
The story is narrated by an unnamed white man who, along with his wife A few days later, Petrus returns, frantic
, has moved from Johannesburg to a small luxury farm ten miles out of the city. They hope the rural lifestyle will repair their strained marriage, but instead, it only highlights their disconnect. SuperSummary Six Feet of the Country Summary & Study Guide
Six Feet of the Country is a short story by Nadine Gordimer, first published in 1953. The story revolves around the death of a farm worker, Paulus, and explores the themes of mortality, social class, and the relationships between the rich and the poor in a rural South African setting.
The story takes place on a farm owned by a wealthy family, the Van der Vyers. Paulus, a poor farm worker, dies after being crushed by a tractor. The narrative follows the events that unfold after his death, particularly focusing on the reactions of the farm's white inhabitants and the treatment of Paulus's body.
The title, Six Feet of the Country, refers to the common phrase "six feet of earth" needed for a person's burial, symbolizing the minimal space allocated to a person's life. The story highlights the disparities in how different social classes are treated, even in death.
The body of Paulus is taken to the local morgue, and when his family cannot afford to pay for a funeral, the undertaker suggests they sell one of their goats to cover the costs. This act symbolizes the economic struggles faced by the poor and the devaluation of a poor person's life.
The climax of the story occurs when Paulus's widow and children decide to take his body from the morgue and bury it themselves. They dig a grave on the outskirts of the farm where Paulus worked and bury him with makeshift arrangements. This act can be seen as a form of resistance and a reclaiming of dignity for Paulus and his family.
Gordimer uses Six Feet of the Country to critique the apartheid regime and the social and economic inequalities it perpetuated. Through the lens of a single event—the death of a marginalized farm worker—Gordimer exposes the brutal realities of life under apartheid and questions the morality of a society that dehumanizes its poor and non-white populations.
The story is characterized by Gordimer's straightforward yet powerful prose, which effectively portrays the harsh realities of life in South Africa during the apartheid era. Six Feet of the Country has been widely praised for its thought-provoking exploration of social injustice, human dignity, and the impact of systemic oppression on ordinary lives.
The narrative technique employed by Gordimer involves a matter-of-fact presentation of the events, which contrasts with the profound implications of those events. This technique reflects the normalized brutality and injustice prevalent in the society of the time.
Six Feet of the Country not only serves as a critique of apartheid South Africa but also poses universal questions about human rights, dignity, and the valuation of human life across different cultures and societies. Through this story, Gordimer challenges readers to reflect on their own moral and ethical positions regarding social justice and human equality.