Radiohead Discography -7 Albums 9 Eps Othe... 【Desktop PREMIUM】

Beyond the 7 albums and 9 EPs, the Other category is vast. This includes live albums, compilations, and the infamous "leaks."

This is where the Radiohead discography gets deep. The EPs are not just leftovers; they are alternate dimensions. Here are the 9 essential official EPs every collector must own. Radiohead Discography -7 Albums 9 EPs Othe...

| # | Album | Year | Key Tracks | Style | |---|-------|------|-------------|-------| | 1 | Pablo Honey | 1993 | “Creep,” “Anyone Can Play Guitar” | Grunge/Britpop | | 2 | The Bends | 1995 | “Fake Plastic Trees,” “Street Spirit” | Alternative rock | | 3 | OK Computer | 1997 | “Paranoid Android,” “Karma Police” | Art rock, dystopian | | 4 | Kid A | 2000 | “Everything in Its Right Place,” “Idioteque” | Electronic, jazz, krautrock | | 5 | Amnesiac | 2001 | “Pyramid Song,” “You and Whose Army?” | Jazz-infused, eerie | | 6 | Hail to the Thief | 2003 | “2+2=5,” “There There” | Rock meets glitch | | 7 | In Rainbows | 2007 | “Weird Fishes,” “Reckoner” | Warm, layered, rhythmic | | 8 | The King of Limbs | 2011 | “Lotus Flower,” “Bloom” | Loop-based, polyrhythmic | | 9 | A Moon Shaped Pool | 2016 | “Burn the Witch,” “Daydreaming” | Orchestral, melancholic | Beyond the 7 albums and 9 EPs ,

If you must reduce to 7 albums, fans often exclude Pablo Honey (too raw) and The King of Limbs (too experimental), leaving the 1995–2016 core seven: The Bends, OK Computer, Kid A, Amnesiac, Hail to the Thief, In Rainbows, A Moon Shaped Pool. The left turn that stunned the world

The left turn that stunned the world. Abandoning guitars for Ondes Martenot, drum machines, and modular synths, Radiohead delivered an abstract, jazz-influenced, electronic opus. No singles. Minimal promotion. Yet Kid A debuted at No. 1 in the US. Tracks like “Everything in Its Right Place” and “Idioteque” redefined what a rock band could do. Love it or hate it, it’s impossible to ignore.

Key track: “How to Disappear Completely”

The War Record Fueled by anger at the Iraq War and George W. Bush, Hail to the Thief was a return to guitars, but with the electronics grafted onto their bones. It is messy, sprawling, and overlong—but that is its charm. It is the sound of a band screaming into the void.