• DVD/Blu-ray: Available from companies like Raro Video, Severin Films (may have English/Italian audio, optional subs).
  • To get Arabic subtitles, search on subtitle sites like OpenSubtitles.org or Subscene for “La Novizia 1973 or 1975”. You can download the .srt file and play it with a legally obtained video file.


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    As of 2025, La Novizia is not available on major global streaming platforms like Netflix, Amazon Prime, or Disney+. However, it can be found on:

    The story follows Giovanna (Gloria Piedimonte), a beautiful and spirited young woman who decides to enter a convent after a disappointing love affair. However, her arrival disrupts the quiet, repressed life of the convent. The mother superior is strict, the other nuns are eccentric, and the local priest has more worldly interests than he lets on.

    Giovanna’s beauty and lively nature cause a series of comedic misunderstandings, temptations, and scandals involving the villagers, the clergy, and even a young gardener who works near the convent. The film explores whether Giovanna will take her final vows or return to the secular world.

    As with many Italian “sexy comedies” (commedia sexy all'italiana), the humor derives from innuendo, mistaken identities, voyeurism, and the contrast between religious rules and natural human desires.


    If you enjoy La Novizia, try these other Italian sexy comedies with religious or school settings (many available with subtitles):

    | Film | Year | Lead Actress | Theme | |------|------|--------------|-------| | La liceale | 1975 | Gloria Guida | School setting | | La poliziotta fa carriera | 1976 | Edwige Fenech | Police/convent | | La novizia ribelle | 1975 | Anna Maria Rizzoli | Novice nun again | | Suor Emanuelle | 1977 | Laura Gemser | Erotic nun drama |


    Critically, La Novizia is not considered a masterpiece of Italian cinema. It has a low rating on IMDb (around 4.7/10) and little international recognition. However, within its niche—erotic comedies of the 70s—it is appreciated for:

    If you are expecting high art, this is not the film. If you want a harmless, laughable time capsule of Italy’s sexual revolution clashing with Catholic tradition, you may enjoy it.