Laura Fygi - The Best Is Yet To Come -flac- -2011- Official
Upon release in 2011, The Best Is Yet To Come received warm reviews. All About Jazz praised Fygi’s “unforced charm and impeccable phrasing.” Dutch De Telegraaf gave it four stars, noting, “Laura sounds better than ever—warmer, wiser, and wonderfully unhurried.”
The album charted moderately in the Netherlands and Japan (where Fygi has a devoted cult following). It did not produce radio hits; it was never intended to. Instead, it became a staple of high-end audio show demos. At the Munich High-End show in 2012, several exhibitors used “The Best Is Yet To Come” (title track) in FLAC format to demonstrate high-resolution speakers. The reason? Fygi’s voice is female, jazz-adjacent, and free of sibilance—a perfect torture test for a tweeter.
In the years since, the album has gained a second life among the “lossless revival” movement. Younger listeners, discovering FLAC through Bandcamp or Qobuz, often stumble upon Laura Fygi as a gateway artist—someone who bridges classic jazz songwriting with modern, polished production.
In the pantheon of contemporary jazz and cabaret singers, few possess the velvet warmth and emotional directness of Laura Fygi. Born in the Netherlands to a Dutch father and an Egyptian mother, Fygi has built a three-decade-long career on bridging the gap between American jazz standards, Brazilian bossa nova, and French chanson. Laura Fygi - The Best Is Yet To Come -FLAC- -2011-
By 2011, Laura Fygi was already a seasoned star, having sold over 1.5 million albums worldwide. Yet, with The Best Is Yet To Come, she wasn’t just releasing another collection of cover songs. She was making a statement. The album’s title—borrowed from the classic Harold Arlen and Johnny Mercer standard—is both a nod to the Great American Songbook and a personal manifesto. At an age when many singers begin to slow down, Fygi declared vitality, elegance, and a forward-looking optimism.
For audiophiles and collectors, however, one specific format of this release stands above the rest: Laura Fygi - The Best Is Yet To Come -FLAC- -2011-. This combination—artist, album, lossless codec, and release year—has become a coveted search string for those who want to experience Fygi’s nuanced vocals and the meticulous studio production in their purest form.
Why specify -2011- in the keyword? Because The Best Is Yet To Come was originally released in 2011 on the T2 Entertainment label (distributed by Universal). This was a transitional period in digital music. Upon release in 2011, The Best Is Yet
In 2011, streaming was still in its infancy (Spotify launched in the US only in July 2011). The predominant digital format was still the 256kbps or 320kbps MP3, often purchased from iTunes or Amazon. CD sales were declining, but audiophile communities on forums like What Hi-Fi? and Head-Fi were evangelizing FLAC. High-resolution downloads were becoming available from sites like HDTracks and Qobuz, though they were niche.
The 2011 FLAC release of this album is significant because it represents a “sweet spot” in mastering. It is not the overly loud, dynamically compressed remaster of a later reissue. It retains the original dynamic range, which, according to analysis on the Dynamic Range Database (DR Database), scores favorably (typically DR10-DR12), meaning ample room between the quietest and loudest passages. Later “loudness war” remasters, even in FLAC, often squash this vitality.
The Best Is Yet To Come is not a traditional jazz album, nor is it mainstream pop. It exists in a lush, elegant middle ground—often called “adult contemporary” or “sophisticated pop.” The tracklist is a carefully curated journey through 14 songs that span genres and eras, each reimagined with Fygi’s signature blend of restraint and tender intimacy. Backend:
Notable tracks include:
The production, helmed by long-time collaborator Ruud Jacobs, emphasizes space, warmth, and acoustic instrumentation. Piano, double bass, gentle drums, and occasional strings or horns are mixed to create a "you-are-there" presence. This is crucial because it explains why the FLAC format is not a luxury but a necessity for this album.
| # | Title | Length | Composer(s) | Notes | |---|---:|---:|---|---| | 1 | The Best Is Yet To Come | 3:45 | Cy Coleman/N. Holofcener | Title track; smooth jazz arrangement | | 2 | Moon River | 4:10 | H. Mancini/J. Mercer | Intimate vocal phrasing | (Replace with exact track names/times from album master.)
Acquiring the file is only half the journey. To experience why Laura Fygi’s voice is so revered in lossless audio, follow these guidelines: