The oldest OG files include raw cuts from before "I Don’t Want It at All." Tracks like "STFU" (no relation to the later TikTok trend) and "Die for You" (OG 2016 Version) sound almost dembow-infused, with Petras rapping in a lower register. These files often have "Prodculture" in the metadata—her old production trio. Notably, a file named "Faded (Solo Demo)" features entirely alternate verses to what later became a leaked collaboration. This era is essential for understanding her original hybrid of hyperpop, reggaeton, and Eurodance.
This dark, witch-house track was cut from Turn Off the Light Vol. 2 for being "too slow." The leak includes producer’s comments in the track notes: “Needs more drop—Kim wants less reverb.”
Before hyperpop went mainstream, Petras and Dorian Electra recorded this industrial-pop track. The OG file reveals mutual verse swaps and a glitch breakdown later recycled into "I Don't Want It At All."
This is the heart of the leak. Following the official release of Clarity and Turn Off the Light, Petras was writing constantly. The OG files from 2018-2019 reveal over 40 unreleased songs produced by Dr. Luke, Made in China, and Vaughn Oliver. Highlights include:
Even with 117 tracks, the complete Kim Petras unreleased universe remains incomplete. Collectors have identified at least 50 additional confirmed songs that have yet to surface, including:
The 117x leak has opened the floodgates. As of mid-2024, smaller packs have emerged—“Kim Petras – Trash Island Outtakes” and “The Bunhead Demos Vol. 3”—but none match the scale of the original 117-track mega-leak.
Only a minute-long snippet had surfaced previously. The full track runs 6:12, with a two-minute instrumental bridge featuring a piano solo. Fans have noted this OG file has a different key change than the version Petras performed live in 2022.
First, let's decode the title. "OG Files" stands for Original Generation files. In leak terminology, an OG file is the highest possible quality tier of unreleased music. It means:
The "117x" refers to the final confirmed count after duplicates and instrumentals were sorted—a staggering 117 unique vocal tracks, spanning from her earliest Prodculture days (circa 2015-2016) up to sessions for her scrapped 2022 album and early 2023 Feed the Beast outtakes.
The file arrived on an ordinary Tuesday, buried in an anonymous USB that smelled faintly of ozone. Mikaela found it on the bench behind the vintage record shop where she worked; someone had propped open the back door and left a paper bag with two cassettes, a Polaroid, and the flash drive. The Polaroid showed a rooftop at dusk, neon bleeding into glass. On the back, in careful script: 117x.
She plugged the drive into the shop computer because curiosity was the only thing that could make her dreary afternoon sparkle. A folder named "OG Fi" blinked into being. Inside: dozens of files, each tagged "-117x" and dated in a pattern that made no sense—some with years, others just numbers: 001, 037, 117. The first file she opened was a voice memo: a delicate, impossible vocal, like someone walking barefoot across a glass piano. A name lingered in the harmonics—Kim—but that could be any name, or none at all.
Mikaela always loved things that felt like puzzles. She dumped the contents onto her old mixing board, fingers itching. The tracks were rough, candid—breath at the start of a chorus, laughter in a verse, a producer's voice whispering "again, softer." The music didn't want to be polished; it wanted to be remembered. There were traces of late-night sessions, cigarettes in coffee mugs, and a persistent, gentle defiance threaded through every bar.
Word travels fast when it's fed by whispers. By the next evening, the shop's backroom was full: a college DJ with sleeves of band patches, a retired radio host with a memory for obscure hooks, and Lena—the owner of the rooftop from the Polaroid—who had once ran lights for queer club nights downtown. They listened in the dim, faces lit by monitors and the glow of the streetlamp outside.
"This is unreleased?" the DJ asked, like he already knew the answer but wanted the sound of someone else saying it aloud.
"No label, no metadata," Lena said. "But these vocal takes... they're raw. Whoever recorded this didn't think anyone would hear it."
They called the collection "117x" because the label repeated everywhere: scrawled on notes, stamped on a weathered notebook, hidden in a photo frame. It felt like a ghost sign—something left to be found.
The tracks became a rumor that grew teeth. People came to the shop to trade stories: an ex-engineer who swore one session had been the evening an important promise was made and then broken; a drag performer who hummed the chorus like a prayer; a street artist who painted quick, neon portraits while the songs looped in her headphones. They all claimed the music did one thing in common: it made them honest.
As the weeks passed, Mikaela noticed patterns. The unfinished bridges hinted at different directions—one raw vocal over ambient synth, another melody leaning toward a disco bassline. Hidden between the takes were messages, tiny vocal fragments that weren't lyrics so much as notes to a future self: "breathe," "start over," "tell them." Whoever had recorded the files had left scaffolding for songs that never had the chance to stand fully formed.
They debated what to do. Release them? Keep them secret? Sell them to the highest bidder? The shop's backroom had all the urgency of a courtroom delivering a verdict. Some argued that music belonged to listeners; others insisted unreleased tracks were private, like letters never meant to be read.
Mikaela had an answer that felt right to her: curate, not expose. She began with gentle edits—no auto-tune, no headline-grabbing reveals—just rebalancing levels and stitching a few takes into coherent pieces that honored the original breath and the blemishes. She assembled a short cassette: five tracks, collaged from different 117x files, and stamped a single word on the J-card: OG.
They distributed twenty copies, slipped into hands at midnight sets, taped to lampposts, and tucked into record sleeves at shows. Each cassette traveled like contraband in the city's pockets and jackets, seeded across neighborhoods. People who found a copy treated it like a message meant for their ear alone. Bars played it at last calls; rooftop parties folded its choruses into the night. It did what music is supposed to—made strangers feel less alone.
Not long after, a private message arrived on the shop's burner number. No longer anonymous, the sender wrote in fragments—thank you, be careful, don't sell. They signed only with a small star: *. The message said nothing about ownership. It was neither claim nor plea. It read like the relief of someone who had finally heard a piece of themselves acknowledged.
The tracks kept migrating. In basements and late-shift diners, people hummed the odd phrasing that had once been an abandoned bridge. A lyric tattooed itself onto a protest sign. A queer collective used a loop as the backbone of a benefit mix. The songs, once orphaned, folded into other people's stories.
Months later, when winter softened and the rooftop in the Polaroid was dusted with the first pale snow, Mikaela climbed up and laid the Polaroid on the ledge where the city could see it. She thought about secrets and stewardship and the permission to make music into something that saved you, if only for three minutes and forty-two seconds. She thought about the people who had left pieces of a life in a folder named 117x, trusting the world to find the right ears.
Someone called down from the street below as she descended. "Hey—did you ever find out who OG Fi is?"
She smiled, the kind that happens when a melody resolves itself finally, quietly. "Some songs don't need a name," she called back. "They just need someone to listen."
The tracks kept circulating—unclaimed, unmistakable, alive. And every time a new listener pressed play, a small unfinished thing finished a little more, until it belonged everywhere and nobody at once.
However, I cannot produce or distribute:
If you are looking for legitimate information about Kim Petras’ unreleased music (e.g., tracklists, known titles, eras like Problematique, Yours Truly, or pre-fame demos), I can help with:
The phenomenon of the Kim Petras "117x Tracks" leak represents one of the largest security breaches in modern pop history, offering a rare, unfiltered look into the massive creative output of an artist navigating the "limbo" of the major label system. The Context of the "Limbo" Era
The leak, which began circulating heavily around 2022, primarily stems from the shelving of Petras' original debut album, Problématique. Following the success of her "Era 1" singles, Kim was signed to Republic Records, but creative differences and management hurdles kept her new music from being authorized for release. This period of frustration led Petras to famously tweet that she was "devastated" and felt "f—ed" by the industry. The Scale of the Leak: "117x Tracks" Kim Petras Unreleased -117x Tracks With OG Fi...
The "117x" collection refers to a specific massive dump of data that surfaced in fan communities, containing not just finished songs but Original Files (OG Files), including:
Kim Petras to Surprise Drop New Album 'Problematique' - Billboard
While there isn't a single official feature containing exactly 117 unreleased Kim Petras
tracks, fan-compiled collections on SoundCloud and Reddit often catalog her extensive vault, which spans multiple creative eras. These collections frequently utilize original file names or working titles from leaked sessions, such as the widely known Problématique material and early "Era 1" demos. Major Unreleased Tracks & Original Titles
The following tracks are frequently cited in comprehensive unreleased collections, often categorized by their intended era:
Era 1 & Early Demos: Many of these tracks feature the "OG" 2010s synth-pop sound Petras is known for.
Push Push Push: A high-energy fan favorite often paired with early leaks like Shame On Me.
Alien: An early unreleased standout with a runtime of approximately 3:37.
Choker & Control: Tracks often associated with the early development of what fans call the "Candy" sessions.
Break The A.C.: A recurring title in unreleased playlists, sometimes labeled as a demo.
The Problématique Vault: Before its surprise official release in 2023, this entire project existed as a massive leak with specific file names.
Dance To Forget & Keep It: Notable tracks from the original leaked version of the album.
Your Time To Cry: Frequently cited as a classic among her unreleased Problématique era work.
All She Wants (feat. Paris Hilton): Originally leaked before its official debut, often found with its OG file name in early tracklists. Collaborations & Snippets:
Sex Up For Fun (feat. Azealia Banks): A highly sought-after unreleased collaboration from the Clarity era.
Reason Why: A collaboration with SOPHIE and BC Kingdom that has circulated in various demo forms.
Young & Spoiled: Originally written by Petras, this track was eventually given to the K-pop group TWICE. Era Categorization
Fans typically organize these 100+ tracks by their original production cycle:
Era 1 (2017-2018): Oceans, Painkillas, Sweet Talk, Demolition.
Turn Off the Light Sessions: Time For Crime, and various instrumental acapellas like Massacre and Death By Sex.
Clarity / Feed The Beast Sessions: Move, Eat, Power, Roller Girl.
For a complete list of titles, fans often refer to the Kim Petras Wiki Unreleased List, which maintains a living document of all leaked and teased material.
Compilations like the "117x Tracks" collection often circulate within the Kim Petras fan community, bringing together various eras of her unreleased work, ranging from early demos to high-quality "OG" (Original) files from scrapped studio albums. Key Eras in Unreleased Compilations
Most expansive unreleased collections are organized by the specific project they were intended for:
The Problématique Sessions: This was intended to be Petras’s debut studio album before being scrapped in 2022 due to label issues. Many "OG" files in compilations come from this era, including fan-favorites like "Left My Body," "Your Time To Cry," and "Dance To Forget".
The Candy Album Concept: Another scrapped project that Petras worked on around 2021–2022. Tracks often included in this category are "Choker," "Control," and "Pressure".
Era 1 Outtakes: Before her debut album Clarity, Petras released a string of digital singles known as "Era 1". Unreleased demos from this period often include "Shame On Me," "Push Push Push," and "Alien".
Turn Off the Light, Vol. 3: While the first two volumes were released, a third Halloween installment has been teased and leaked in fragments, including tracks like "Time For Crime". Notable High-Quality "OG" Tracks
Compilations featuring over 100 tracks usually include full-length studio demos and finished outtakes. Some of the most sought-after include:
The world of unreleased pop music just hit a major milestone for Bunheads everywhere. Recently, a massive collection titled "Kim Petras Unreleased - 117x Tracks With OG Files" surfaced online, offering an unprecedented deep dive into the vault of the pop icon. This isn't just a handful of snippets; it’s a comprehensive look at the creative journey behind some of Petras' most celebrated and scrapped eras. What’s in the Vault? The oldest OG files include raw cuts from
The leak is staggering in both quantity and quality. Featuring 117 tracks—many in their original high-quality "OG" file formats—it spans years of production. Key highlights from the collection include:
The Scrapped Eras: Tracks rumored to be from the legendary Candy and the original Problématique sessions before it was reworked for its eventual 2023 release.
High-Fidelity "OG" Files: Unlike low-quality snippets or radio rips, many of these are studio-quality files, allowing fans to hear the intricate production work of collaborators like Aaron Joseph and Vaughn Oliver in full detail.
Rare Demos: Early versions of hits like "Choker" and "Dirty Dirty" (dating back to 2015) alongside recent unreleased gems like "California Rain" and "Dark Hearts". Why This Matters Now
This massive leak arrives at a turning point in Petras' career. In early 2026, Kim Petras publicly expressed frustration with her label, Republic Records, claiming they were withholding her completed third album, Detour. She has since formally requested to be dropped from the label to pursue independent releases.
While the leak isn't official, it has reignited conversations about artist autonomy and the sheer volume of high-caliber work currently sitting in "label limbo". For fans, these 117 tracks serve as a "Pretour" of sorts, showcasing the diverse sounds—from bubbly synth-pop to edgy club beats—that Kim has been crafting behind the scenes.
The title "Kim Petras Unreleased - 117x Tracks With OG Files" refers to a well-known fan-compiled leak collection rather than an official studio release . These tracks are often hosted on platforms like SoundCloud
and are highly regarded by the "Bunhead" fanbase for showcasing a wider vocal range and more experimental pop sounds compared to her commercial label work. SoundCloud Key Highlights from Fan Reviews Vocal Performance
: Listeners frequently note that these unreleased demos often show off Petras's vocal range more effectively than her recent mainstream singles. Genre Influence : Many tracks are described as having a Carly Rae Jepsen "E-MO-TION" vibe —blending 80s synth-pop with high-energy dance elements. Standout Tracks "Push Push Push"
: Often cited as the best-written and most "release-ready" songs in the collection. "Dark Part of Your Heart"
: Fan favorites that frequently appear in unreleased "best-of" lists. "Shame On Me"
: Regarded by long-time listeners as a hidden gem within the leak. Context of the Collection The "Era 1" Connection
: Some tracks in these 100+ song compilations were originally intended for Petras's "Era 1" (neon-themed singles like "I Don't Want It At All") but remained shelved when she transitioned to major labels. Production Quality : Because many are "OG Files"
(original high-quality exports rather than low-bitrate rips), they are praised for sounding remarkably finished and polished, often better than tracks that made it onto her later projects like Feed the Beast Accessibility
: While not on Spotify or Apple Music, fans primarily access these through massive SoundCloud playlists or private mega-links. SoundCloud specific tracklist
for this 117-song version or information on which tracks eventually made it to her official Problématique Kim Petras Unreleased (complete) - SoundCloud 18 Feb 2024 —
While there is no formal academic paper with that exact title, the phrase refers to a massive unreleased song compilation and leak event within the Kim Petras
fan community. The "-117x Tracks" likely references a specific archival leak or fan-curated collection containing over 100 tracks, including OG files (original, high-quality master or studio files). Key Unreleased Collections & Projects
The "paper" or list you are looking for likely compiles tracks from these major scrapped or leaked projects:
Candy (Unreleased Album): A concept album recorded around 2021-2022 that was set aside for Feed The Beast. Key tracks include "Choker", "Pressure", "Control", and "Gimme Sum".
Problématique: Originally a full album scrapped due to label issues but later partially released/leaked. Remaining unreleased or demo versions of tracks like "Dance To Forget" and "Your Time To Cry" are highly sought after.
Era 1 & Early Demos: Tracks from her 2017–2018 period, such as "Push Push Push", "Shame On Me", and "Dark Part Of Your Heart".
A. G. Cook / PC Music Sessions: High-quality "OG" files often leak from sessions with producers like A. G. Cook and SOPHIE, including the track "Reason Why". Notable Leaked Track List (Partial)
Fans often maintain comprehensive lists on platforms like the Kim Petras Wiki, which currently tracks over 100 entries: "Alien" "Bang Kiss Bye" "Bittersweet Surrender" "Break the A.C." "California Rain" "Demolition" "Die For You" "Fade Away" "KIM KIM KIM" "Oceans" "Sweet Talk"
Many of these files are shared through Internet Archive collections or SoundCloud playlists labeled as "complete" unreleased sets.
Here’s a draft for a social media post (e.g., for Twitter/X, Instagram, or a Discord/Reddit announcement). I’ve kept it engaging for fans of Kim Petras and unreleased track collectors.
Option 1: For Twitter/X (punchy & hype)
🚨 KIM PETRAS UNRELEASED VAULT 🚨
117x tracks with OG files have surfaced/been compiled.
We’re talking: 🎧 Early demos 🎧 Problématique era scraps 🎧 “TOTL” unused cuts 🎧 2016-2020 lost gems The 117x leak has opened the floodgates
This is a DEEP dive into her pop evolution. 👽💎
Are these her best melodies never officially released? Let’s discuss. 👇
#KimPetras #Unreleased #PopCrave #LostMedia
Option 2: For Reddit or a forum (informative & community-focused)
Title: Kim Petras Unreleased – 117x Tracks With OG Files (Masterpost / Discussion)
Body:
Hey Moonwalkers / Bunhead fam,
A massive collection of 117 unreleased Kim Petras tracks has been making the rounds, and many of these are the original files (OG production, rough mixes, reference vocals). This goes way beyond the few snippets we’ve had over the years.
Quick breakdown of what’s inside:
Why this matters: You can hear her songwriting process raw – from mumble demos to nearly finished pop perfection.
A note on ethics: I’m not posting direct links (respect the artist’s work), but for those collecting – these are out there as “Kim Petras – The Vault (117 Tracks).”
Favorite find so far? Mine is track #84 – sounds like a lost Clarity interlude.
Discuss below. 💬
Option 3: For Instagram (short & visual, with a carousel idea)
Caption:
117 unreleased Kim Petras tracks. OG files. Pure pop archeology. 🦷📼
From Problématique leftovers to 2016 demos that sound like nothing she’s ever dropped – this vault is INSANE. Which song should have made an album? 👇
(No links here, but collectors know where to dig.)
🎨 Art by [tag fan artist if applicable]
The recent online surfacing of an archive containing 117 unreleased tracks by Kim Petras
, complete with high-quality "OG" (original) files, represents one of the largest leaks in pop music history. This massive collection offers a rare, behind-the-scenes look at the evolution of Petras' artistry, spanning her early days as an independent "BunHead" artist to her more recent major-label output under Republic Records Key Components of the Archive
The leaked collection is notable not just for its volume, but for the inclusion of master-quality files that allow fans to hear the music exactly as it was recorded in the studio. The "Limbo" Era
: A significant portion of the tracks dates back to the era of her shelved debut album, Problématique
, which Petras herself famously told fans to "listen to the leaks" of in 2022 when its release was stalled by her label. Collaboration Demos
: The files include early versions of tracks that eventually surfaced on her actual debut, Feed the Beast
, as well as high-quality demos of unreleased collaborations with artists like Paris Hilton Charli XCX OG Files & Stems
: Unlike typical low-quality snippets, these files are often "OG" masters, providing superior audio fidelity to previous bootlegs found on platforms like SoundCloud. Context and Significance
This leak arrives amid Petras' ongoing public frustration with her label, Republic Records
, where she has recently requested to be dropped to regain artistic control.
Kim Petras Demands to Be Dropped by Republic Records | TikTok