The 2015 high-resolution remaster of Keith Jarrett’s (FLAC 24-bit/192kHz) is widely regarded by audiophiles as a definitive digital version of this 1978 jazz masterpiece. This release preserves the legendary "ECM sound" originally captured at Talent Studio in Oslo by engineer Jan Erik Kongshaug, known for his "crystalline" and "airy" recording style. musicophilesblog.com Performance and Composition The album features Jarrett’s "European Quartet"
—a powerhouse ensemble consisting of Jan Garbarek (saxophones), Palle Danielsson (bass), and Jon Christensen (drums). The Listeners' Club The Title Track "My Song"
: A hauntingly simple, folk-inflected melody that has become a jazz standard. Critics highlight Garbarek’s "soulful, restrained" performance as emotionally wrenching and transcendent. Musical Range
: While tracks like "Country" lean into a joyous, gospel-inspired lyricism, the album also veers into "frenetic" hard bop and free jazz territory with "Mandala," which features Jarrett plucking the piano strings directly.
: The quartet is praised for a "holistic transcendence," where individual egos are set aside for the benefit of the composition, particularly on the 10-minute closing epic, "The Journey Home". Between Sound and Space: ECM Records and Beyond 2015 Remaster Quality (24-bit/192kHz)
: Reviewers note that the 2015 hi-res remaster is of "astounding quality," making the nearly 50-year-old recording sound modern and fresh. Soundstage
: The hi-res format allows listeners to "hear into" the recording, providing a sense of being in the studio with the band. Comparison
: While some purists still prefer the original vinyl for its "tubey magical midrange," the 24/192 FLAC is considered the best digital option for those wanting to avoid the "lifeless" quality often found in standard CD reissues. musicophilesblog.com Keith Jarrett - My Song - CD | JazzMessengers
The Keith Jarrett - My Song (1978/2015 Remaster) is a high-resolution digital reissue of one of the most celebrated albums in modern jazz history. Originally recorded in November 1977 at Talent Studio in Oslo, this album features Jarrett’s iconic "European Quartet". Album Overview Personnel: Keith Jarrett: Piano, Percussion Jan Garbarek: Tenor and Soprano Saxophones Palle Danielsson: Double-Bass Jon Christensen: Drums
Musical Style: The album is noted for its relaxed, introspective atmosphere and melodic accessibility, bridging the gap between Jarrett's complex improvisations and more traditional jazz forms. It is widely considered the most rewarding collaboration between Jarrett and Garbarek. The 2015 High-Resolution Remaster
The 2015 release in FLAC 24-bit/192kHz (also available in 24-bit/96kHz) is frequently praised by audiophiles for its "astounding quality".
Keith Jarrett's My Song – I Really Shouldn't Be Liking This Album
The Sublime Clarity of Keith Jarrett’s "My Song" (Hi-Res FLAC 24-192) For audiophiles and jazz enthusiasts alike, the 2015 high-resolution reissue of Keith Jarrett’s 1978 masterpiece, , represents a pinnacle in digital restoration. Released in FLAC 24-bit/192kHz
format, this version strips away the digital veils of earlier CD pressings, offering a transparency that brings you startlingly close to the original 1977 sessions at Talent Studio in Oslo. The Lineup: The "European Quartet"
This album remains the definitive statement of Jarrett's "European Quartet," a group characterized by a lyrical, airy, and "Nordic" sound that contrasts sharply with his more muscular American ensembles: Keith Jarrett : Piano, Percussion Jan Garbarek : Tenor and Soprano Saxophones Palle Danielsson : Double-Bass Jon Christensen Why the 24/192 FLAC Matters
While original ECM vinyl pressings are legendary for their "tubey magical midrange," they often suffer from surface noise or transient smear over time. The 24/192 hi-res files Micro-Detail
: You can hear the physical "pluck" of Danielsson’s bass strings and the subtle breath control of Garbarek’s saxophone. Soundstage
: The "Blackest" backgrounds allow the instruments to occupy a three-dimensional space, extending well beyond the speakers. Dynamic Range
: From the delicate, mournful title track to the "chaotic madness" of "Mandala," the high bit-rate handles the album's extreme shifts in intensity without clipping or compression. Key Tracks to Revisit Peachtree Audio amp500 26-Mar-2020 —
With such a reservoir of power, the amp500 can bring out the punch in the mid to upper registers as well. The pluck of Al DiMeola' (((Audio Pursuit))) TONEAudio MAGAZINE The Concierge of High End Audio 28-Aug-2010 —
The album "My Song" by Keith Jarrett , specifically the 2015 High-Resolution (FLAC 24-bit/192 kHz) reissue, represents a landmark high-fidelity release of one of jazz's most celebrated recordings. Originally released in June 1978 on the ECM Records label, it is the second studio effort by Jarrett’s renowned "European Quartet". Album Overview and Personnel
Recorded at Talent Studio in Oslo, Norway, in late 1977, the album features a lineup of world-class musicians often referred to as the "European Quartet": Keith Jarrett: Piano and percussion Jan Garbarek: Tenor and soprano saxophones Palle Danielsson: Double bass Jon Christensen: Drums
The production was helmed by ECM founder Manfred Eicher, with legendary recording engineer Jan Erik Kongshaug, whose work is widely praised for its clarity and spatial "magic". The 2015 High-Resolution Reissue
The 2015 remaster was released in FLAC 24-bit/192 kHz and 24-bit/96 kHz formats to provide audiophiles with a listening experience as close to the original studio master tapes as possible.
Keith Jarrett's My Song – I Really Shouldn't Be Liking This Album
Keith Jarrett - My Song (2015) - A Musical Masterpiece in FLAC 24/192 Format Keith Jarrett - My Song -2015- -FLAC 24-192-
Keith Jarrett, a renowned American jazz pianist and composer, has been mesmerizing audiences with his incredible musical prowess for decades. His 2015 release, "My Song", is a testament to his enduring legacy as a performer and improviser. This album, available in the high-fidelity FLAC 24/192 format, offers a transcendent listening experience that showcases Jarrett's mastery of jazz and his unique ability to connect with his audience through music.
Recorded live at the Lugano Arte e Storia in Lugano, Switzerland in 2015, "My Song" features Jarrett performing with his long-time collaborator, bassist Charlie Haden, and drummer Michael LeDonne. The album consists of two sets, each comprising several tracks that demonstrate Jarrett's remarkable range and versatility as a pianist. From introspective ballads to exuberant swingers, the music on "My Song" is a reflection of Jarrett's deep understanding of jazz and his ability to craft compelling narratives through improvisation.
The FLAC 24/192 format of this release ensures that listeners can fully appreciate the nuances and subtleties of Jarrett's performance. The high-resolution audio captures every detail, from the softest pianissimos to the most thunderous fortissimos, allowing listeners to experience the music in a way that is both intimate and expansive. The soundstage is remarkably wide, with each instrument clearly defined and positioned, creating a sense of space and depth that draws the listener into the music.
One of the standout tracks on the album is Jarrett's rendition of his own composition, "My Song". This piece, which has become a staple of his live performances, showcases Jarrett's remarkable ability to create complex, intricate melodies that seem to unfold effortlessly. The way he weaves together different themes and motifs, creating a sense of tension and release, is a testament to his mastery of jazz composition and improvisation.
Throughout "My Song", Jarrett's playing is characterized by his trademark sensitivity and lyricism. His touch is both delicate and powerful, capable of conveying a wide range of emotions and moods. Whether he is playing a tender ballad or a more energetic swing tune, Jarrett's playing is always marked by a deep sense of feeling and authenticity.
The accompanying liner notes, which feature Jarrett's own reflections on the music, offer valuable insights into his creative process and approach to improvisation. Jarrett's writing is characteristically thoughtful and introspective, providing listeners with a deeper understanding of the music and its significance.
In conclusion, Keith Jarrett's "My Song" (2015) is a musical masterpiece that showcases his enduring legacy as a performer, composer, and improviser. The FLAC 24/192 format of this release ensures that listeners can fully appreciate the nuances and subtleties of Jarrett's performance, creating a transcendent listening experience that is both intimate and expansive. This album is a must-listen for fans of jazz and anyone interested in experiencing the music of a true master.
Technical Specifications:
2015 high-resolution remaster of Keith Jarrett’s 1978 album
is widely regarded by audiophiles for its astounding clarity, often described as sounding much younger than its nearly 50-year-old origin. musicophilesblog.com The 2015 Remaster (FLAC 24-bit/192 kHz) Technical Quality:
The 24-bit/192 kHz FLAC release preserves the "tubey magical midrange" of the original analog recordings produced at Talent Studio in Oslo Audio Fidelity:
Critics note that this specific hi-res version offers a significantly greater dynamic range
and a more natural sound compared to compressed 16-bit/44.1 kHz CD versions. Engineering: The recording was originally engineered by Jan Erik Kongshaug
, often cited as a "recording magician" for his work with ECM Records. Musical Content and Context The Ensemble: This is the second album by Jarrett’s "European Quartet"
, featuring Jan Garbarek (saxophones), Palle Danielsson (bass), and Jon Christensen (drums). Composition Style:
The album is characterized by a relaxed, introspective mood filled with "inner tension". It blends gospel-tinged lyricism (as seen in "Country") with more dissonant, rhythmic pieces like "Mandala". Key Tracks: "Questar":
A melodic opener that sets the tone for the quartet's synergy. "My Song":
The title track is noted for its "mournful but majestic" invocation and lyrical saxophone work by Garbarek. "The Journey Home":
A 10-minute closer that moves from short melodic bursts into a fluid Latin beat. Between Sound and Space: ECM Records and Beyond Critical Analysis Resources Structural Breakdown:
You can find formal musical analyses and transcriptions, such as the chord notations and structure of the title track on Historical Significance:
Some critics consider this the most rewarding collaboration between Jarrett and Garbarek, bridging the gap between his solo piano improvisations and standard jazz quartet formats. technical comparisons
between the 24-bit/96 kHz and 24-bit/192 kHz versions, or are you looking for a deeper musicological analysis of specific tracks?
Title: Immersive Depth: Revisiting Keith Jarrett’s ‘My Song’ in 24-bit/192kHz FLAC
Posted by: The Audiophile’s Corner Date: October 11, 2023
There are certain albums that exist outside the constraints of genre. They aren't just "jazz records" or "classical experiments"; they are weather systems. Keith Jarrett’s My Song, recorded in November 1977, is one of those systems—a soft, persistent drizzle of melodic genius that soaks into the earth of your consciousness. The 2015 high-resolution remaster of Keith Jarrett’s (FLAC
But today, we aren't just listening to My Song. We are listening to the 2015 high-resolution remaster (FLAC 24-bit/192kHz). And let me tell you: it is like wiping a layer of dust off a stained-glass window.
The Music: The European Quartet at its Peak
For those unfamiliar, My Song is the definitive album by Jarrett’s ‘European Quartet.’ Unlike the jarring, free-energy of his American band, this group—Jan Garbarek (soprano and tenor sax), Palle Danielsson (bass), and Jon Christensen (drums)—dealt in air and texture.
The title track is a standard for a reason. That simple, loping, folk-like melody is pure Jarrett: deceptively simple, impossibly singable. Garbarek’s entry, with that icy, ethereal soprano tone, doesn’t just accompany Jarrett; it floats above him, like a hawk riding a thermal.
Tracks like “The Journey Home” and “Mandala” showcase the alchemy of this band. Christensen’s drums don’t keep time; they breathe time. Danielsson’s bass is a wooden ship rocking on a gentle sea. This is ECM Records at its most iconic—spacious, reverent, and achingly beautiful.
The Technical Upgrade: Why 24/192 Matters (and doesn’t)
Let’s address the elephant in the listening room. My Song was recorded in 1977 at Talent Studio in Oslo. It is not a bombastic, dynamic-range-crushing recording. It is quiet. Intimate.
So, does a 2015 24-bit/192kHz FLAC file matter?
The Good:
The Caveat: Do you need a $5,000 DAC to enjoy this? No. The 2015 remastering job is excellent, but the performance is what matters. If you listen on AirPods, you won't hear the difference. But if you have a dedicated headphone amp or a decent stereo setup, the 24/192 version offers a "you are there" presence that the CD layer simply cannot replicate.
Listening Notes
Play this loud enough to feel the bass resonance, but quiet enough to hear the pedal noise.
Final Verdict
If you own the CD, you own the soul of the music. But if you are a fan of Keith Jarrett, Manfred Eicher’s production, or simply want to hear what analog tape sounds like when converted to digital with care and precision—seek out the 2015 FLAC 24/192 release.
It turns a great album into a religious experience. It is proof that even 45 years later, we are still discovering new layers inside the grooves of the masters.
Rating: ⭐⭐⭐⭐⭐ (Essential Audiophile Purchase)
Get it here: [Link to Qobuz, HDTracks, or Presto Music]
Have you listened to the hi-res version of My Song? Do you prefer the European Quartet over the ‘Standards’ Trio? Let me know in the comments below.
System used for testing: Auralic Vega G2 DAC -> Pass Labs INT-60 -> Magnepan .7 speakers.
Few albums capture the delicate balance between lyricism and improvisational fire as perfectly as Keith Jarrett’s My Song. Originally released in 1978 on ECM Records, this record stands as a pinnacle of the so-called “European Quartet” era—featuring the legendary saxophonist Jan Garbarek, bassist Palle Danielsson, and drummer Jon Christensen. In 2015, ECM and producer Manfred Eicher revisited the master tapes to produce a high-resolution digital edition: FLAC 24-bit/192kHz.
The eternal debate: Can you hear the difference? On a smartphone with earbuds? No. On a quality DAC (Digital-to-Analog Converter) with a quiet power supply and revealing speakers or planar magnetic headphones? Absolutely.
My Song is an album of extreme microdynamics. The difference between ppp (pianississimo) and f (forte) is the entire emotional arc of the music. A 16-bit system has 65,536 volume steps. A 24-bit system has 16,777,216 steps. When Jarrett plays a note so soft it is barely a whisper of felt on wound strings, the 24-bit depth preserves the shape of that whisper. The 16-bit version might render it as digital noise shaping artifacts; the 24-192 renders it as music.
Keith Jarrett’s "My Song" is an album that rewards deep listening. It is not a technical showcase; it is a emotional journey through folk, modal jazz, and classical restraint. However, the 2015 24-bit / 192 kHz FLAC release respects that emotional content by removing the technical barriers of lower-resolution formats.
You will hear Jan Garbarek inhale before a phrase. You will hear Keith Jarrett hum along with his solo (a trademark habit, but now clearer). You will hear the Oslo winter silence surrounding the quartet. For the collector, the audiophile, and the lover of transcendent jazz, this is not merely a file—it is the closest you will get to sitting in the control room at Talent Studio in 1977.
Do not settle for the CD. Do not settle for streaming compression. Find the 2015 FLAC 24-192. Let the journey home begin. known for his "recording magic
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The 2015 high-resolution reissue of Keith Jarrett’s (originally released in 1978) represents a definitive audiophile version of one of ECM’s most beloved recordings. Presented in FLAC 24-bit/192kHz
, this remaster captures the nuanced textures of Jarrett's "European Quartet" with a level of clarity that belies the recording's nearly 50-year age. musicophilesblog.com Album Overview
Keith Jarrett (with Jan Garbarek, Palle Danielsson, and Jon Christensen). Original Recording: November 1977 at Talent Studios, Oslo.
Jan Erik Kongshaug, a legendary figure known for defining the "ECM Sound". Musical Style:
Melodic, lyrical, and introspective jazz that bridges Jarrett’s solo piano work with a quartet setting. Audio Fidelity: The 24/192 Experience The 2015 high-res remaster is noted for its astounding quality
, providing a vast soundstage that allows listeners to "see" the performers in the studio. musicophilesblog.com
Keith Jarrett - My Song (2015) - Hi-Res FLAC 24bit/192kHz
This album, "My Song", is a timeless jazz classic, re-released in 2015 with stunning high-resolution audio quality. Recorded in 1977, the album features Keith Jarrett, the renowned American jazz pianist and composer, performing with his esteemed trio consisting of Jan Garbarek on saxophone and flute, and Palle Danielsson on bass.
The music on "My Song" is characterized by Jarrett's lyrical and introspective playing style, which weaves a narrative that is both personal and universal. The album's title track, "My Song", is a beautiful, melancholic ballad that showcases Jarrett's mastery of melody and harmony.
The 2015 re-release of "My Song" on FLAC 24bit/192kHz offers an unparalleled listening experience, with crystal-clear sound and nuanced dynamics that transport listeners directly into the heart of the music. This high-resolution audio remastering brings out the intricate textures of Jarrett's piano playing, the soaring lines of Garbarek's saxophone, and the subtle underpinning of Danielsson's bass.
Tracklist:
Technical Details:
This re-release of "My Song" is a must-have for jazz enthusiasts and audiophiles alike, offering a deeply moving and sonically stunning listening experience that will leave listeners spellbound.
Resurrecting a Masterpiece: Keith Jarrett's My Song in High-Res FLAC
In 1978, Keith Jarrett and his "European Quartet" released My Song, an album that would become a cornerstone of contemporary jazz. Decades later, the 2015 remaster in FLAC 24-bit/192kHz offers listeners a chance to experience this legendary session with unprecedented clarity and depth. The Sound of High Fidelity
The 2015 high-resolution release is not just a digital update; it's a sonic preservation of the original session recorded at Talent Studios in Oslo. Engineered by the late Jan Erik Kongshaug, known for his "recording magic," the 24-bit/192kHz files capture the nuanced interplay of the quartet in startling detail.
The Piano: Jarrett’s piano, often described as having a "liquid" quality, benefits from the higher sampling rate, revealing the delicate decay of notes and the physical impact of the hammers.
The Quartet: The interplay between Jan Garbarek (saxophones), Palle Danielsson (bass), and Jon Christensen (drums) is more transparent than ever, allowing the listener to "see" the performers in a three-dimensional soundstage. An Essential Journey
My Song is celebrated for its blend of introspection and rhythmic vitality. The album features six original compositions by Jarrett, ranging from the hauntingly beautiful title track to the more experimental "Mandala".
"My Song": A lyrical masterpiece that has become a jazz standard, often returning in Jarrett's solo concerts.
"Country": A track where the quartet finds a "winning gospel mode," showcasing their effortless synergy.
"The Journey Home": An epic 10-minute closer that cycles through moods, from melancholy to spirited folk-like melodies. A State of Grace
Critics and fans alike consider My Song the peak of the Jarrett-Garbarek collaborations. It achieves a "state of grace" that transcends genre, making it a must-have for both seasoned audiophiles and those new to Jarrett’s expansive body of work.
Keith Jarrett's My Song – I Really Shouldn't Be Liking This Album
For those archiving, the exact Keith Jarrett - My Song -2015- -FLAC 24-192- file typically carries these identifiers:
Note: Ensure your file has a spectral frequency plot showing energy up to 96kHz (the Nyquist limit of 192kHz). Genuine 24-192 files will show natural tape hiss and instrumentation extending above 48kHz. Beware of upsampled fakes.
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