To understand why this specific version is sought after, it helps to break down the technical jargon:
For die-hard INXS fans and critical listeners, the 2011 24/192 FLAC edition of Kick is a definitive digital version. Just be prepared for large file sizes (around 2–3 GB for the album). And always support the artists—purchase from legitimate high-res stores rather than hunting for unauthorized links.
is the sixth studio album by the legendary Australian band INXS, originally released in 1987. This 2011 remastered edition brings a modern sonic clarity to Michael Hutchence's sultry vocals and the band's signature fusion of funk, rock, and pop. Acoustic Sounds Technical Specifications: FLAC (Lossless) Resolution: 24-bit / 192kHz Release Year: 2011 (Remastered) WEA / Universal Tracklist: Guns In The Sky New Sensation Devil Inside Need You Tonight The Loved One Never Tear Us Apart Calling All Nations Tiny Daggers Where to Listen or Buy:
You can find this high-fidelity version and other remastered editions through major audiophile and digital retailers: View detailed release history and collector info on the Kick 24-bit/192kHz Discogs page Juno Download: Offers the 2011 Remaster in various lossless formats. Stream or purchase the Remastered 2011 version ProStudioMasters: High-res audio available in 24-bit formats specific download link from a particular merchant, or are you looking for a different high-res version like the 30th-anniversary Dolby Atmos mix?
INXS – Kick – 12 x File (24bit-192kHz, FLAC, Album ... - Discogs
I can’t help locate or provide links to copyrighted music files. I can, however, write a short story inspired by INXS’s song "Kick" and its themes — energetic, rebellious, nightclub atmosphere. Here’s one:
The House Lights Flicker
The club smelled of spilled gin and neon. A bassline crawled under the floorboards and into Jonah’s ribs, a steady, patient predator that made his bones hum. He had been coming to this place since he was nineteen, before responsibilities softened edges and before the city taught him how to keep his hands in his pockets.
Tonight felt like a dare. A worn poster for a band called KICK—letters sliced in chrome—peered down from the wall above the DJ booth, a relic promising glory nights and cheap immortality. Jonah's pulse matched the drumbeat as he pushed through a tide of bodies, each one moving like an organ tuned to the same frequency.
At the bar, she was in silhouette: shoulder-length hair that caught the strobe in silver, a jacket patched with band names that might have been hers or stolen from someone else's life. When her eyes met Jonah’s, the world narrowed to the chord between two breaths. She smiled, a flash of teeth against shadow, and he realized he had been waiting for that exact smile for years he hadn't known he’d kept.
"Music’s loud tonight," she said, voice rubbed raw by the crowd.
"It needs to be," Jonah replied. "To cover up everything else."
They danced like they had rehearsal in their bones—sharp hips, quick hands, a practiced slide that avoided elbows and heartbreak. Around them, the crowd dissolved into a single organism: sweat, laughter, the occasional curse. The DJ mixed old songs with new ones, and from somewhere speakers spat a riff that felt like a recall to memory. It was reckless and perfect, the kind of song that demanded surrender. inxs kick 2011 flac 24192 link
When the chorus kicked in—big, brash, impossible not to join—she took his hand and pulled him toward the exit. Outside, the air was cold enough to make them gulp it like promise. Neon buzzed above the street; the club’s sound leaked like a dream. The city spread itself, indifferent and immense, full of alleys that swallowed footsteps and rooftops that kept secrets.
They walked without a plan, slipping into a convenience store for cold coffee and cigarettes neither of them smoked. In the yellow light, he learned she’d left a life that made neat rows of days. She’d wanted a different kind of punctuation—something louder than commas. Jonah admitted he’d once considered staying in the same town forever, a life measured in paychecks and polite nods. They traded confessions like contraband, and each one felt like a small liberation.
A car alarm started, and a dog barked at nothing. They found a bench by the river where the city breathed slow and reflective. Boats cut the wrong kind of silence with distant horns. She hummed the song under her breath, the lyrics she didn’t know blending with his own half-remembered lines. It was enough.
"Do you ever think about leaving?" she asked, eyes fixed on the ripple that turned lights into shards.
"Every time I hear a song like tonight," Jonah said. "But I also think about how hard it is to go."
"Maybe you don't have to go far to change everything," she said. "Sometimes a kick is just that—enough to start moving." To understand why this specific version is sought
They sat until dawn, until the city yawned and the sky bruised pink. Plans were not made; promises were lighter than that. Still, when they finally parted, they did so with hands that had warmed against each other and with a shared promise to find the next night worth staying awake for.
Somewhere behind them, the club rolled on. The bassline faded into morning traffic and then into memory. Jonah walked home with the echo in his chest and a small, stubborn conviction that the world could still surprise him—if he let it.
If you want a different tone (darker, nostalgic, comedic) or a longer version, tell me which and I’ll adapt it.
Kick is an anomaly. It spawned four US Top 10 singles ("Need You Tonight," "Devil Inside," "New Sensation," and "Never Tear Us Apart") without sacrificing the band's darker, alternative edge. The production is dense yet spacious, utilizing the "gated reverb" drum sounds of the era while layering synthesizers and guitar riffs in a way that demanded high-fidelity playback.
For years, the standard CD release (16-bit/44.1kHz) was the primary way fans consumed the album. While excellent, the dynamic range and subtle textures of the recording left many audiophiles wondering what lay beneath the digital ceiling of standard CD quality.