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Indonesian popular culture has always been hybrid—synthesizing local wayang (shadow puppet) narrative structures, Bollywood melodrama, and American sitcoms. However, the post-2010 shift to over-the-top (OTT) platforms and user-generated video has fundamentally altered production, distribution, and consumption. As with any popular keyword, myths abound

Key research questions:

This paper examines the evolution of Indonesian popular entertainment, focusing on the transition from traditional broadcast media (TV, film) to algorithm-driven video platforms (YouTube, TikTok, Instagram Reels). It analyzes how sinetron (soap operas), dangdut music videos, and POV (point-of-view) skits function as sites of class negotiation, Islamic identity performance, and digital labor. The study argues that while global platforms have democratized production, they have also intensified existing hierarchies of taste, gender, and regional representation. This paper examines the evolution of Indonesian popular

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