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The contrast is jarring and enlightening.
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Modern docs like Amy or Kurt Cobain: Montage of Heck rely heavily on private home videos.
To understand the impact, one must look at the documentaries that broke the mold.
There is a modern psychological term for why we love these films: "Trash Panda" viewing—the compulsion to dig through the garbage to find the treasure. We want to see the stars without makeup, the screaming matches in the writers' room, and the financial spreadsheets that led to a $200 million bomb.
Furthermore, the entertainment industry documentary caters to our post-modern cynicism. We know the magic trick is a lie, and we want to see how the magician did it. For aspiring filmmakers and actors, these docs serve as cautionary tales and masterclasses. For the average viewer, they are a form of validation—proof that the rich and famous suffer from the same imposter syndrome, ego, and bad luck as the rest of us.