Geki Dokei-- 100 Oku Kaupaa No Onna Senshi Tachi Access

The visual aesthetic of Geki Dokei is heavily influenced by 1980s–90s Japanese cyberpunk (e.g., Akira, Battle Angel Alita) and ero-guro nansensu (erotic grotesque nonsense) artists like Shintaro Kago and Suehiro Maruo.

Officially, "Geki Dokei-- 100 Oku Kaupaa no Onna Senshi Tachi" was only released on the Sega Saturn in 1998, with a print run of only 5,000 copies. A working physical copy recently sold at auction for $4,500.

Your best bet is the fan-translated ROM, known as The Fractured Dial Patch v.4.7. Beware, however: the patch introduces a "real-world timer" that deletes your save file if you do not complete the game within one calendar year.

Visually, "Geki Dokei-- 100 Oku Kaupaa no Onna Senshi Tachi" is striking. Developed by a defunct studio known only as Team Hagane, the art style combines 16-bit pixel art with VHS tracking artifacts. The screen constantly features static lines and a "time flutter" effect, making it look like you are watching a lost broadcast from 1987.

The character designs are hyper-detailed. Each female warrior wears armor that resembles the internal gears of a Swiss watch. Their weapons are "Second Hands" (giant clock hands wielded as spears or greatswords). The color palette is dominated by brass, rust, and neon pink.

Whether real or legendary, Geki Dokei-- 100 Oku Kaupaa no Onna Senshi Tachi serves as a perfect metaphor for the obsessive collector’s mindset. We are all chasing 10 billion Cowper’s points. We are all female warriors trapped inside a fierce clock. And the final bell? It never rings.

So the next time you are browsing a dusty hard-off store in Akihabara or scrolling through a niche forum at 3 AM, whisper the name. You might just hear the faint sound of sweating sprites, grappling forever in the 100 Oku dimension. Geki Dokei-- 100 Oku Kaupaa no Onna Senshi Tachi

Have you played it? Or did it play you?

Keywords used naturally: Geki Dokei-- 100 Oku Kaupaa no Onna Senshi Tachi, Onna Senshi, Kaupaa Points, Sega Saturn, ero-guro, Tetsuo Karma Shinohara, sweat-ometer, lost OVA.

"Geki Dokei— 100 Oku Kaupaa no Onna Senshi Tachi" (roughly translated as Rage Meter: Female Warriors of 10 Billion Kaupaa) is a notable title within the realm of Japanese adult CG (computer graphics) and fan-made doujin circles. Created by the artist or group known as Trinitron CG, this project is best known as a high-quality fan parody primarily featuring characters from the Dragon Ball franchise. The Origin: Trinitron CG

The title rose to prominence in the late 2000s, with various CG sets and animations appearing around 2009. Unlike traditional manga, "Geki Dokei" is structured as a series of Game CGs—highly detailed digital illustrations designed to mimic the cutscenes or gallery art found in visual novels and adult games. Theme and Setting

The title's literal translation—"100 Oku Kaupaa no Onna Senshi Tachi"—contains terms common in the adult animation (hentai) genre.

Geki Dokei (激怒計): Translates to "Rage Meter" or "Fury Meter," suggesting a mechanic where characters' powers or states change based on an intensity gauge. The visual aesthetic of Geki Dokei is heavily

Kaupaa (カウパー): A specific anatomical term often used in adult Japanese content to describe physiological arousal.

Onna Senshi Tachi: "Female Warriors," referring to the battle-ready heroines featured in the project. Character Focus

The project is famous for its "What If" scenarios featuring prominent female characters from Dragon Ball Z and Dragon Ball Super, rendered in a distinct, high-fidelity digital style. Common figures include:

Android 18: Frequently a central figure due to her popularity in fan-made works.

Bulma, Chi-Chi, and Videl: Reimagined in intense battle situations or alternative adult narratives.

Pan and Zangya: Included in various iterations of the CG sets. Legacy and Media Keywords used naturally: Geki Dokei-- 100 Oku Kaupaa

While primarily a collection of static CGs, the project gained such a following that fan-made videos and soundtracks (OSTs) were created to accompany the art. One well-known track associated with the project is "Boys Break!". Because of its age and niche status, it is often discussed on platforms like Doujins.com and E-Hentai, where archival galleries of the original 2009 work are maintained.

In the broader context of doujin culture, "Geki Dokei" serves as an example of the "Remastered" era of fan art, where creators began using advanced digital painting techniques to elevate parody content to near-professional production standards.

Are you interested in learning more about the artistic style of Trinitron CG, or perhaps other classic doujin titles from that era?

[Trinitron CG] Geki Dokei - E-Hentai Galleries - E-hentai.org

| Character | Role | Distinct Trait | Narrative Arc | |-----------|------|----------------|---------------| | Mika Hoshino | Protagonist, Sentinel‑01 | “Heart of the Clock” – can sense temporal fluctuations | From reluctant recruit to leader who redefines the Clock’s purpose | | Dr. Ayame Kurogane | Chrono‑Kaupa’s chief scientist | Visionary with a hidden past in the “Time‑Cult” | Balances scientific curiosity with moral responsibility | | Lila “Sable” Ortiz | Veteran Sentinel‑12, ex‑mercenary | Cybernetic arm that records heartbeat data | Struggles with trauma from past wars, learns to trust comrades | | Ariane LeClair | Diplomat from the EU‑Union | Fluent in five languages, diplomatic tactician | Navigates political intrigue, becomes the bridge between factions | | Yui “Chrona” Nakamura | Young prodigy, Sentinel‑07 | Ability to “pause” her own heartbeat for short bursts | Represents the next generation, grapples with the weight of destiny |