Fylm The Rifleman Of The Voroshilov Regiment 1999 Mtrjm -
The Rifleman of the Voroshilov Regiment (1999), also known as The Voroshilov Sharpshooter
, is a Russian vigilante drama directed by Stanislav Govorukhin. Based on the novel Woman on Wednesdays
by Viktor Pronin, the film is a stark exploration of justice and corruption in post-Soviet Russia. Plot Overview
The story follows Ivan Afonin, a decorated World War II veteran and former elite marksman, who lives in a small Russian town with his teenage granddaughter, Katya. The Incident:
Three wealthy young "New Russians"—Vadim, Boris, and Igor—lure Katya to an apartment, get her drunk, and gang-rape her. Systemic Failure:
Despite an initial arrest and confession, the charges are dropped because Vadim’s father is a high-ranking police colonel who uses his influence to protect the scoundrels. Vigilante Justice: fylm the rifleman of the voroshilov regiment 1999 mtrjm
Realizing the legal system is corrupt and unresponsive, Ivan sells his dacha to purchase an illegal SVD sniper rifle. Drawing on his wartime training as a "Voroshilov Sharpshooter," he meticulously hunts down and punishes the three men on his own terms. Key Cast and Crew Actor/Contributor Stanislav Govorukhin Ivan Afonin (Grandfather) Mikhail Ulyanov Katya Afonina (Granddaughter) Anna Sinyakina Colonel Pashutin Aleksandr Porokhovshchikov Alexei (Local Policeman) Vladislav Galkin Screenwriters Aleksandr Borodyanskiy, Yuri Polyakov Themes and Reception Corruption:
The film highlights the "New Russian" era, where wealth and political connections often placed individuals above the law. Revenge vs. Justice:
Unlike typical Hollywood revenge thrillers, Ivan’s goal isn't necessarily to kill, but to deliver "nonfatal just desserts" that psychologically and physically humiliate the perpetrators. Critical Acclaim:
Mikhail Ulyanov received widespread praise and the Russian Guild of Film Critics' Best Actor award for his performance as the stoic, moral grandfather.
The film remains a cult classic in Russia, often cited as a representation of the social frustrations of the late 1990s. Are you interested in exploring other films from Stanislav Govorukhin or more Russian vigilante dramas from that era? The Rifleman of the Voroshilov Regiment (1999), also
The Rifleman of the Voroshilov Regiment is not a happy film. The ending is bleak and ambiguous. It forces the viewer to ask: Is vigilante justice ever justified when the law has become a shield for the guilty?
Critics note that the film fueled a dangerous "justice from the barrel of a gun" sentiment in Russian society. Supporters argue it is a necessary piece of social realism.
To understand the film, you need to remember Russia in 1999. The country was reeling from:
Audiences in 1999 were exhausted and angry. When Ivan takes his rifle to the roof of a building to snipe the unpunished rapists, movie theaters erupted in applause. This wasn't just a thriller; it was a cathartic scream against a system that had abandoned ordinary people.
Why does your search include "mtrjm"? Probably a shorthand for mystery/thriller or a tag for a download site. But the film genuinely functions as a tense thriller: The Rifleman of the Voroshilov Regiment is not
Upon release in 1999, Voroshilov’s Marksman was a box office hit in Russia, selling over 1.5 million tickets. Critics praised Ulyanov’s stoic, heartbreaking performance. However, some intellectuals condemned the film as “fascist” for endorsing extrajudicial killing.
Over time, the film has become a cultural touchstone. Quotes like “The old man has a rifle” entered Russian slang. The film was re-released in 2019 for its 20th anniversary, with Govorukhin (who died in 2018) posthumously celebrated for his prescient anger.
The story centers on Ivan Fyodorovich Afonin (played by the legendary Mikhail Ulyanov), a 70-year-old veteran of the Great Patriotic War (WWII). He lives in a small Russian provincial town with his beloved granddaughter, Katya. In his youth, Afonin was a celebrated marksman—a “rifleman of the Voroshilov regiment,” referring to an elite Soviet sniper unit named after Marshal Kliment Voroshilov.
One evening, Katya and her friend are brutally assaulted by a group of three wealthy, arrogant young men. When Afonin files a police report, he is met with indifference, corruption, and even mockery. The local militia chief (a brilliant performance by Sergei Garmash) openly says, “Those boys have powerful fathers. Your granddaughter is nothing. Drop it.”
Faced with a system that protects the rich and violates the vulnerable, Afonin digs up his old World War II sniper rifle—a Dragunov SVD (in reality, a modified hunting rifle in the film)—and decides to take justice into his own hands.
The film follows a relentless, methodical cat-and-mouse game. Afonin is no superhero; he is a slow, determined, arthritic old man driven by a code of honor that no longer exists. His revenge is not chaotic but surgical. He wounds the leader, Denis, in a public square—not killing him, but sending a message: “The next bullet will be for you.”
What follows is a suspenseful, heartbreaking exploration of whether personal vengeance can ever replace institutional justice in a failed society.