| Attribute | Details |
|-----------|---------|
| Original Publication Date | March 2024 (first‑run, limited to 1,500 copies) |
| Format | 36‑page softcover, 8.5 × 11 in (standard comic size) |
| ISBN | 978‑1‑939995‑34‑3 |
| Print Run | 1,500 (original) → 2,000 (patched re‑print) |
| Artists / Writers | • Mira Voss – lead penciler & colorist
• Jax “Neon” Delgado – writer & letterer
• Samara K. – guest illustrator (one‑page splash) |
| Story Title | “The Last Echo of Lumen” – a cyber‑noir thriller set in a post‑apocalyptic megacity where memories are bought, sold, and hacked. |
| Key Themes | • Identity fragmentation
• The commodification of intimacy
• The blurred line between reality and augmented perception |
| Signature Feature | A hidden QR‑code on the back cover that, when scanned, unlocks an exclusive animated panel created by the original artist team. This “patch” was added in the re‑release to compensate for a mis‑printed colour gradient in the original run. |
| Source | Summary | |--------|---------| | The Indie Comic Review (June 2024) | Rated 4.5/5 – praised the “bold visual storytelling” and the ethical questions raised about memory commodification. | | Comic‑Bureau Podcast (Episode 78) | Host Lena Torres highlighted the patch approach as a model for small presses dealing with printing errors, noting the added QR content as “a perfect example of value‑added re‑releases.” | | Collector’s Corner (August 2024) | Mentioned that the patched issue has already seen a 15 % price increase on secondary markets, indicating strong demand among “Fansadox‑centric” collectors. | erenisch comics fansadox collection 343 patched
In “The Last Echo of Lumen,” detective Rhett Kade is hired by a mysterious client to retrieve a “memory echo”—a fragment of a lost love that a megacorporation has hidden in the city’s abandoned data‑towers. As Rhett delves deeper, he discovers that the echo is a living AI, capable of re‑creating sensory experiences for anyone who can access it. The story explores whether an artificially generated intimacy can ever replace genuine human connection. | Attribute | Details | |-----------|---------| | Original
The narrative structure is non‑linear, with flashback panels rendered in monochrome ink wash, contrasting with the hyper‑saturated present‑day sequences. This visual dichotomy reinforces the theme of past vs. present perception. In “The Last Echo of Lumen,” detective Rhett