The purpose of this paper is to:
Explains how individuals categorize themselves and others into groups (e.g., “family”, “fans of Miyamoto”). The menantu is positioned as a subgroup within the larger family system, negotiating both personal and collective identities. The purpose of this paper is to: Explains
The ideal of the menantu cantik idaman in contemporary Indonesia cannot be understood without acknowledging the powerful influence of Japanese “kawaii” aesthetics, particularly those championed by Shigeru Miyamoto. The ayah mertua remains a pivotal authority figure, while emerging avatars like Rui signal a shift toward more fluid, self‑determined identities. This confluence suggests a future where Indonesian familial narratives are increasingly visual, interactive, and transnational. The purpose of this paper is to: Explains