In the vast ocean of rare groove, post-disco, and early 80s synth-pop, few phrases spark as much curiosity among serious collectors as “Come Under My Spell 1981 Exclusive.”
For the uninitiated, this string of words might sound like a forgotten B-side or a moody incantation from a Halloween mixtape. But for crate diggers, DJs, and aficionados of the Boogie era, it represents a holy grail—a shimmering, elusive piece of wax that encapsulates the very moment when disco’s glitter was dying and the robotic heart of 80s dance music began to beat.
But what is the “Come Under My Spell 1981 Exclusive”? Why does it command hundreds (sometimes thousands) of dollars on auction sites? And why has its legend only grown in the four decades since its pressing? come under my spell 1981 exclusive
Let’s step into the time machine and set the dial for 1981.
What makes a film like this "exclusive" to its time? It is the sheer lack of irony. Watching "Come Under My Spell" today, modern audiences might chuckle at the dialogue or the practical effects, but the film commits to its premise with a straight face. There is a genuine earnestness in the way these filmmakers approached the subject of seduction and magic. In the vast ocean of rare groove, post-disco,
In 1981, the "video nasty" scare was beginning to brew, and films that mixed eroticism with the supernatural were walking a dangerous line. This gave them a taboo allure. "Come Under My Spell" was the kind of movie you found on a high shelf in the video store, a cover promising mystery and flesh, but delivering a surprisingly moody, almost gothic experience. It is a relic of a time when "adult" cinema could still have production design, plot ambition, and a genuine attempt at atmosphere.
To understand the power of this exclusive, you have to understand the musical landscape of 1981. The infamous “Disco Demolition Night” of 1979 had driven the genre underground. In its place, a hybrid emerged: Post-Disco. It was leaner, meaner, and heavily reliant on drum machines (specifically the Roland TR-808, released in 1980) and synthesizers. Why does it command hundreds (sometimes thousands) of
In 1981, clubs like The Paradise Garage in New York and The Warehouse in Chicago were the temples. Larry Levan and Frankie Knuckles were the high priests. It was in these smoke-filled rooms that exclusives were born—tracks pressed in runs of 200 or 300 copies, handed only to DJs to test on the floor.
“Come Under My Spell” is the phantom child of this era.