As a web series, Boss In Love has a modest budget. The production values are noticeably lower than major network dramas—the sets are limited, the special effects for the transformation are intentionally campy, and the costume design is simple. However, these limitations become part of the show’s quirky charm.
The series received a generally positive reception from fans of light, fluffy romantic comedies. Viewers praised its fast pace (12 half-hour episodes), lack of overbearing melodrama, and the refreshingly healthy communication between the leads once they admit their feelings. Common criticisms include the underutilization of secondary characters and a rushed final act that resolves the curse somewhat conveniently.
In the crowded landscape of Chinese romantic comedies, Boss In Love (2018) manages to carve out a small but memorable niche. Directed by Li Hongzhou and starring Wang Lin and Wang Yizhe, this 12-episode web series offers a short, sweet, and surprisingly progressive take on the classic “boss-employee” trope. While it adheres to many of the genre’s familiar beats, its unique premise—a male CEO who literally turns into a woman when emotionally aroused—sets it apart from the typical office romance.
Boss In Love (2018) is not a groundbreaking masterpiece of television, but it never pretends to be. It is a tightly-written, 12-episode sugar rush of a show that knows exactly what its audience wants: laughs, low-stakes conflict, and a sweet romance with a twist. For viewers tired of the same old office romance formula, the gender-bending premise offers a fresh and funny angle. It’s an ideal weekend binge for anyone looking for a light, heartwarming, and genuinely entertaining escape.
Rating: ★★★☆☆ (3.5/5) – A quirky, fast-paced rom-com that proves even the oldest tropes can feel new with a clever twist.
Boss in Love (2018) is a South Korean short film (approximately 16 minutes) that blends office romance with lighthearted comedy. Plot Overview
The story follows Se-young, a vice-chief who decides to invite his girlfriend to the office for a private date after all the other employees have left for the day. Just as their evening begins to progress, their romantic privacy is interrupted by the unexpected return of a new employee, Joo-ah. Rotten Tomatoes Critical Reception Reviewers on Letterboxd
describe the film as having the feel of a "short cartoon" or webtoon, noted for its bright and fresh atmosphere. It is often categorized within East Asian lesbian cinema
and is praised by viewers looking for sapphic stories with happy or lighthearted themes. Audience Response: Rotten Tomatoes , the film holds a high audience "Popcornmeter" score of
, indicating it is well-received by those who watch it, despite its very short runtime. Rotten Tomatoes Why Watch?
It is a quick, charming watch for fans of "office romance" tropes or those looking for LGBTQ+ representation in Korean short films. Its brevity makes it feel more like a "slice-of-life" vignette than a traditional feature-length drama. Korean LGBTQ+ short films , or did you want recommendations for full-length office romance
Sapphic Films & Limited Series with Happy Endings - Letterboxd
Boss in Love (Korean: 차장님은 연애중) is a 2018 South Korean short film directed by Ahn Ji-hee. It is categorized as a lighthearted LGBTQ+ (Yuri) romantic comedy that explores the complications of an office romance and an unexpected near-love triangle. Quick Overview Release Date: November 7, 2018 Runtime: Approximately 16 minutes Genre: Romance, Comedy, LGBTQ+ Director: Ahn Ji-hee Main Cast: Kim Yu-ra, Choi Woo-jeong, and Choi Min-je Plot Summary
The story follows Se-young, a vice-chief who often stays late at the office to work overtime. Taking advantage of the empty office, she invites her lover, Hye-mi, over for a private date. However, their romantic moment is interrupted when a new employee, Joo-ah, unexpectedly returns to the office, leading to a series of awkward and comical encounters. Key Characters Boss in Love (2018) directed by Ahn Ji-hee - Letterboxd
Boss in Love (2018) is a short South Korean romantic comedy film that explores a workplace-based lesbian romance with lighthearted charm. Directed by Ahn Ji-hee, this 16-minute short film was released in November 2018 and has become a notable entry in the Korean "Yuri" or girls' love genre. Plot Overview
The story centers on Se-young, a vice-chief who is working overtime alone at the office. Her girlfriend, Hye-mi, visits her for a private date in the empty building. However, their intimate evening is unexpectedly interrupted when a new employee, Joo-ah, returns to the office. The film follows the ensuing complications and tension as the three navigate this sudden almost-love-triangle. Critical Reception
Reviews generally highlight the film's simplicity and sweet tone:
Atmosphere: Reviewers on Letterboxd describe it as a "light and pleasant" romance that uses humor and tenderness to handle office complications.
Performances: The lead actors—Kim Yu-ra (Se-young), Choi Woo-jung (Hye-mi), and Choi Min-je (Joo-ah)—are praised for delivering natural and endearing performances that make the characters feel credible despite the short runtime.
Production Style: While the mise-en-scène is modest and the script follows fairly predictable tropes, the film is noted for its refreshing, "webtoon-like" vibe and bright characters.
Overall Rating: The film currently holds a 7.1/10 on IMDb and is often recommended for fans of "soft" sapphic romances with happy endings. Film Details Director: Ahn Ji-hee Runtime: 16 minutes Release Date: November 7, 2018 (South Korea)
Production Company: Strongberry (known for high-quality LGBTQ+ short films) Boss in Love - Reviews, film + cast - Letterboxd
Boss in Love typically refers to a South Korean short romantic film (also known by the Korean title Chajangnim-eun Yeon-ae-jung / 차장님은 연애 중) produced by Strongberry Boss in Love (2018) – Film Details Release Date: November 7, 2018. Ahn Ji-hee (some sources credit Kang Woo). Sapphic (GL - Girls' Love) / Office Romance. Approximately 16–27 minutes. Played by Kim Yu-ra. Played by Choi Woo-jeong. Played by Choi Min-je. Plot Summary The story follows
, an employee who often stays late to work overtime. One night, her girlfriend
surprises her with a visit to the office for a private date. The tension rises when a new employee,
, unexpectedly returns to the building, threatening to catch them in their secret romance. Critical Reception
Critics and viewers have praised the film for making an "escapist fantasy feel real," noting strong chemistry between the leads and a "summery, feel-good" atmosphere. It is frequently cited in lists of Sapphic films with happy endings Other Related Content (2018): A popular fan-fiction story titled Boss in Love
by user SkyBluPCYJJK was completed in late 2017/early 2018, featuring characters inspired by Harry Styles and others. K-Drama Context:
While not the 2018 film, the "boss-employee" romance is a staple of dramas like (2017) and What's Wrong with Secretary Kim (2018), which are often discussed alongside this title. streaming link
to watch this short film, or were you searching for a specific fan-fiction post from that year? Boss In Love - SkyBluPCYJJK - Wattpad boss in love -2018-
Released in 2018, "Boss in Love" (Korean title: Chajangnimeun Yeonaejung) is a South Korean short film that carved out a unique space in the Girls' Love (GL) genre. Directed by Ahn Ji-hee, this 15-minute romantic comedy offers a lighthearted, refreshing take on workplace romance, avoiding the heavy melodrama often associated with LGBTQ+ cinema in favor of "100% urban light-heartedness". Plot Overview: A Night at the Office
The story centers on Se-young, a hardworking vice-chief who finds herself staying late at the office to finish overtime work. To liven up the quiet night, she invites her girlfriend, Hye-mi, over for a private date within the company walls.
The romantic atmosphere is abruptly interrupted when Joo-ah, a new employee at the firm, unexpectedly returns to the office. Unbeknownst to Se-young, Joo-ah harbors a secret crush on her boss and has come back specifically to confess her feelings. This setup leads to a comical and slightly tense "office love triangle" as Se-young attempts to navigate her existing relationship while managing an awkward professional situation. Cast and Characters
Despite its short runtime, the film is praised for the natural chemistry and performance of its lead trio:
Kim Yoo-ra as Se-young: The "cool and steady" vice-chief caught between professional boundaries and personal romance.
Choi Woo-jung as Hye-mi: Se-young’s "sweet and feisty" lover and former colleague.
Choi Min-je as Joo-ah: The earnest new employee whose untimely return drives the film's conflict. Production and Reception
Produced by MATCHBOX LLC and Strongberry, a studio well-known for its high-quality LGBTQ+ short films, "Boss in Love" is often compared to another popular short, Don't Say Sorry, due to similar character archetypes and aesthetics. Key Reception Highlights:
Tone: Reviewers on Letterboxd and MyDramaList frequently describe the film as "adorable," "charming," and "immaculately paced".
Visuals: The cinematography and styling—often featuring sharp office attire—have led fans to joke that the cast looks like a "hotshot girl group".
Impact: In a landscape where GL content is relatively rare, the film is celebrated for its positive, comedic approach rather than focusing on the "painful experiences" typically seen in queer narratives. Where to Watch
For those interested in viewing this hidden gem, "Boss in Love" is available on niche streaming platforms dedicated to Asian and LGBTQ+ content: Boss in Love (2018) directed by Ahn Ji-hee - Letterboxd
Boss in Love (차장님은 연애중) is a popular 2018 South Korean lesbian short film that has gained a cult following for its lighthearted and charming take on workplace romance. Directed by Ahn Ji-hee, the 16-minute film is celebrated as a rare "feel-good" entry in the Korean LGBTQ+ (Sapphic) cinema landscape. Quick Facts Release Date: November 7, 2018. Genre: Romantic Comedy, Office Romance, LGBTQ+. Runtime: ~16 minutes.
Production: Part of the "Strongberry" (Matchbox Film) collection, known for high-quality queer short films. Synopsis
The story centers on Se-young, a cool and competent team leader who is staying late at the office to finish some work. She invites her girlfriend and former colleague, Hye-mi, to the office for a private dinner date. Their romantic evening is unexpectedly interrupted when Joo-ah, a new employee who harbors a secret crush on Se-young, suddenly returns to the office to confess her feelings. This creates a fast-paced, humorous "office love triangle" as the characters navigate the awkward encounter. Cast and Crew Description Se-young The composed boss working overtime. Hye-mi Choi Woo-jeong Se-young’s lover and former colleague. Joo-ah Choi Min-je The junior employee with a crush. Nah Dae-ri Kang Soo-yeon A supporting office character. Where to Watch
Official Streaming: You can watch the full film on GagaOOLala, a global LGBTQ+ streaming platform.
YouTube: The production company often hosts trailers and full versions on their official Strongberry YouTube Channel. Reception
Viewers often praise the film for its natural performances and lighthearted tone. Unlike many queer films that focus on tragedy or heavy social struggle, Boss in Love is noted for being "sweet and fluffy," making it a go-to recommendation for fans looking for a cheerful Sapphic romance. It was featured in the Seoul Pride Film Festival in 2018. AI responses may include mistakes. Learn more Boss in Love - Watch Online | GagaOOLala - Find Your Story
Upon its initial airing on Tencent Video, Boss in Love -2018- received mixed-to-positive reviews. Critics praised the chemistry between Liu and Ren, but initially dismissed the plot as "fluff."
However, by the time the final episode aired in September 2018, the narrative shift had won over skeptics. Douban scores settled at a respectable 7.4/10—high for a pure rom-com. International reviewers on MyDramaList praised its "re-watchability."
"It knows exactly what it is: a warm bowl of noodle soup on a rainy day. It doesn't try to be a thriller or a historical epic. It just wants to make you smile, and it succeeds." – MyDramaList User Review, 2018.
The story centers on Jin Qingqing (Wang Lin), a down-on-her-luck young woman struggling to make ends meet. After a series of misfortunes, she lands a job as the personal assistant to the notoriously cold and perfectionist CEO, Lin Chen (Wang Yizhe).
Lin Chen is the archetypal drama boss: rich, handsome, aloof, and demanding. However, he harbors a bizarre family secret. Due to a supernatural curse passed down through his lineage, whenever his heart rate exceeds a certain threshold due to strong romantic or sexual attraction, he physically transforms into a woman. This “female Lin Chen” (also played by Wang Lin in a dual performance) is the polar opposite of his male persona—warm, spontaneous, and emotionally expressive.
The comedy ensues as Jin Qingqing accidentally discovers her boss’s secret. To prevent chaos, she is forced to help Lin Chen manage his condition, leading to a series of absurd situations: rushed escapes from board meetings, fake dating scenarios, and the CEO hiding in bathroom stalls until his heartbeat stabilizes. As the two work together to break the curse, genuine feelings begin to develop, blurring the lines between professional obligation and heartfelt romance.
Unlike a typical "chaebol" heir, Gu Jingchen is not mean for the sake of being mean. His backstory—revealed slowly across episodes 12 to 18—involves a family betrayal that left him unable to trust anyone. Leo Liu’s performance is nuanced; he plays the "ice king" with a vulnerability that makes his transformation believable. By episode 20, when he is fully in love, the audience feels like they have earned the softness.
At first glance, the 2018 Chinese romantic comedy Boss In Love (老板，别那么任性) seems to check every box of the predictable "CEO drama." You have the cold, impossibly wealthy male lead, the perky but underdog female lead, a contractual relationship, and the inevitable collision of two different worlds. However, beneath its glossy surface and predictable tropes lies a surprisingly nuanced narrative about the psychological armor we build, the corrupting nature of absolute power (even in romance), and the terrifying vulnerability required for true intimacy.
The "Boss" as a Fortress, Not a Person
The central figure, the "boss," isn't just a romantic interest; he is a metaphor for emotional isolation. His wealth, his corner office, his dismissive glare—these are not just props for a power fantasy. They are a fortress constructed over years of betrayal, familial pressure, and the dehumanizing logic of corporate success. In many dramas, the male lead's arrogance is played for charm. In Boss In Love, it feels more like a survival mechanism.
The deep content here lies in how the drama portrays power as a disability. The boss can move markets, ruin careers, and buy anything—except authentic human connection. His money renders him unable to trust. His status makes him paranoid. Everyone around him wants something. This is a profound loneliness that the series doesn't shy away from. He isn't just "grumpy"; he is institutionally alienated. The female lead, therefore, doesn't just "melt his heart"—she becomes the first person in his adult life who sees his power as irrelevant to his worth. As a web series, Boss In Love has a modest budget
The Contract: A Safe Illusion of Control
The "contract relationship" trope is often a lazy plot device. But in Boss In Love, it serves as a brilliant psychological mechanism. For a man who controls everything, the contract is his way of controlling intimacy. It allows him to simulate love without its risks. It’s a transaction—something he understands. The fine print is his emotional firewall.
The deep conflict arises when emotions breach the contract. When he begins to feel genuine jealousy, protectiveness, or vulnerability, he doesn't know how to react because those clauses don't exist. His attempts to reassert the contract terms when his feelings get too intense are not villainous acts; they are panic attacks of a man who realizes his fortress has a crack. The drama subtly critiques the corporate mindset: you cannot reduce love to a liability clause.
The Female Gaze: Redefining "Winning"
Unlike earlier iterations of this trope, Boss In Love offers a more evolved female protagonist. She is not a damsel waiting to be rescued by his resources. Her power is her moral clarity and her emotional honesty—two things his wealth cannot buy. The deep content here is the inversion of value. In his world, money buys everything. In her world, money is irrelevant to kindness, loyalty, and integrity.
The pivotal moments are not when he buys her a car or saves her company. They are when he fails to manipulate her, or when he has to stoop to her level—to apologize, to wait, to be patient. The drama argues that for a man of power to truly love, he must undergo a kind of ego-death. He must learn that his CEO title holds no weight in the bedroom or the heart. The female lead’s true victory is not "landing the boss"; it is humanizing him without losing herself.
The Tragedy of Late Vulnerability
One of the most profound themes in Boss In Love is the cost of delayed vulnerability. Because he has spent a decade building walls, when he finally allows himself to love, he loves with the ineptitude of a teenager. He makes grand gestures that miss the emotional point. He offers solutions when she needs listening. He is, in essence, emotionally stunted.
The drama's deepest moments are not the happy montages but the painful misunderstandings. They occur not because of external villains but because he literally doesn't have the emotional vocabulary to say, "I'm scared of losing you." The series thus becomes a case study in how privilege and power can stunt emotional growth. The real antagonist is not a rival or a scheming parent; it is his own learned helplessness in the face of genuine feeling.
Conclusion: The Boss as a Mirror
Ultimately, Boss In Love works as deep content because it uses the glossy K-drama/C-drama template to ask uncomfortable questions: What happens to a person when everyone fears them? Can love exist in an unequal power dynamic? And is it possible to heal a heart that has been taught that vulnerability is weakness?
The series suggests that being a "boss" in love is not about commanding affection. It is about surrendering control. It is about learning that the most terrifying risk is not a hostile takeover—it is handing someone the keys to your carefully guarded fortress and trusting them not to loot it, but to live in it. In that sense, Boss In Love is less a romantic comedy and more a quiet treatise on the courage it takes to be truly, messily, and powerlessly human.
Boss in Love — 2018
When the elevator doors at Halstead & Rowe opened on a Tuesday morning in April, Mara walked out with coffee in one hand and a folder of quarterly projections in the other. She'd been at the firm three years, climbed from junior analyst to associate, and had learned to treat office politics like weather: acknowledge it, dress for it, move through it.
The boss, Julian Hart, had a reputation that made weather forecasts sound optimistic. He ran the strategy division with surgical patience and a habit of appearing at precisely the wrong moment — at the end of a long meeting, at the start of a surprise audit, in the doorway when someone had just whispered a truth about budgeting. Tall, silvering at the temples, always wearing the same navy coat, Julian maintained a distance the team described as "professional to a fault." He was efficient, exacting, and very much alone.
That Tuesday changed not because of numbers — Mara's projections were sound — but because Julian asked a question that carried no strategic import. He paused after the meeting and said, "You're working late tonight. How do you like the pho place on 12th?"
She blinked. "I haven't tried it."
"Join me," he said, the sort of invitation that was casual and not casual at all. "I could use a second opinion on the broth."
Mara found herself saying yes before she had a chance to weigh the consequences. At thirty-one, she'd learned to take opportunities as if they were trains: if you missed one, another might come, but not necessarily the same route. They walked out into rain-wet pavement and the city's familiar hum; Julian talked about nothing important — a new exhibit at the museum, the landlord's dog — and his guard lowered in small ways she hadn't seen in the conference room.
He wasn't like the caricature. Over steaming bowls, he laughed with a voice that didn't measure cadence the way he did in meetings. He confessed, awkwardly, that he couldn't order pho without asking for extra cilantro, because flavors, he said, were the only things he couldn't schedule into neat boxes.
Over the next two months, work and dinners braided into an odd routine. Lunches became a test ground: he sought her counsel on presentations and, increasingly, on what film to watch that weekend. His assistant called him "unreachable" at 9 a.m.; Mara saw him answer that same phone at midnight, selecting a playlist for a rainy evening. Colleagues began to notice him softer in the office, less ready to cut someone off mid-sentence. Rumors are small fires and they spread; the firm loved conjecture nearly as much as profits.
Their relationship developed with the stealth of a spreadsheet formula rearranged: gradual, logical, then suddenly revealing a result neither had expected. Julian was careful — with his words, with his calendar, with the way he folded his napkin. Mara was candid, impatient with pretense, and resolute when something mattered. Where he liked plans, she preferred improvisation. Where she wanted to ask too many questions, he answered with actions.
Love at an office is messy because offices have rules — written and unwritten. Julian insisted on boundaries: no public displays, no team events where lines might blur. Mara respected them; she also bristled at the invisible guardrails that implied she must navigate the relationship with her elbows in. They moved between being colleague and confidant, recipe sharer and deadline partner, lovers and professionals. Each compartment required a code: emails remained formal, calendars anonymous, outings discreet.
Then came the project that would test the balance. The firm merged with a competitor, and the strategy division was reshaped. Julian's position was secure, for now, but the new leadership favored younger, more "dynamic" faces. Mara's team was reassigned; her role was at risk. The rumor mill spun faster than it ever had. People sharpened their elbows and resumes in equal measure. Mara felt the old predictability slip away.
One evening, after a long round of interviews, she found Julian waiting outside her apartment building. He had that look of someone who'd decided on a plan and wasn't consulting a schedule about it. "They're talking about reassignments," he said. "You'll have other offers from within. I could reclassify you, move you to a post I control."
Mara appreciated the offer and hated it immediately. Accepting felt like surrender to favoritism; refusing felt like tossing away shelter. "I need to make that choice for myself," she said.
He reached out, briefly, touching the back of her hand — not a commanding gesture, but an honest one. "Then I'll be on the same side, whatever you choose," he said.
She chose to apply for a role at a different firm — smaller, riskier, but aligned with what she wanted: autonomy, a team that valued growth over preservation. Julian supported her application without orchestrating it. When an offer came through, she accepted. People speak as if leaving is cathartic; for Mara it was complicated. She felt guilt — for the team, for the routines she would break, and, selfishly, for the private dinners that might become fewer.
They navigated the transition with an intimacy that felt less about corporate maneuvering and more about two people choosing each other without a safety net. On her last night at Halstead & Rowe, the office emptied into the night like a city putting out its lights. The two of them lingered, sharing a cup of bad cafeteria coffee, and said little. Words at that hour were costly, heavy. Upon its initial airing on Tencent Video, Boss
"Do you regret it?" Julian asked at last.
"Regret what?" she answered.
"This," he said, voice low. "All of it."
Mara considered the years they'd spent in one another's orbit — the dinners, the debates, the ways he'd taught her to pause before cutting to the charts, the ways she'd taught him to order his soup with abandon. "Sometimes," she admitted. "But not enough to stop."
They left the office together, stepping out into a city that didn't care for their private complexities. In the months that followed, Mara found a job she loved and Julian adjusted to a quieter office presence, less public, more deliberate. They did not become a perfect couple; they were two people, imperfectly matched to a world that demanded both compromise and conviction.
Love, in the way they discovered it, was not a sudden conversion but an accumulation: shared meals, small mercies, decisions made without consultation of titles. In 2018 the world felt both precarious and full of possibility — the stock market blipped, the firm restructured, and people learned to assert their choices in unexpected ways.
At a dinner six months after Mara left, Julian lifted his glass and said, "To decisions that scare us and friends who make them possible."
Mara smiled into the candlelight. "And to soup," she added.
He laughed. "And cilantro," he said.
They toasted, and for a moment the years of spreadsheets and meetings and muted office lights seemed less like constraints and more like the scaffolding that had made their small, stubborn thing possible.
Title: The 2018 Blueprint: When the Boss Falls Hard
In 2018, the “Boss in Love” trope hit a peak—not as a relic of dusty secretarial romances, but as a sharp, glossy, and psychologically complex narrative engine. This wasn’t your father’s 9 to 5 harassment case. This was the era of the tailored Tom Ford suit, the glass-and-steel corner office, and the silent, seething tension of a man whose power was absolute—except when it came to the one employee who didn’t flinch.
The 2018 Specifics: This version of the trope was defined by restraint. The post-#MeToo cultural shift meant the overtly domineering, shout-at-her-desk boss was dead. In his place rose the ice prince: the CEO who micromanaged not to control, but because he couldn't articulate feeling. Think Christian Grey-lite, but with more therapy bills. The 2018 boss fell in love through acts of service—anonymously approving her expense report, reassigning her toxic client, or having her car’s oil changed while she worked late. His love language was corporate patronage.
The Power Shift: Unlike earlier decades, the 2018 heroine wasn’t a damsel. She was an analyst, a project lead, a woman with student loans and a side hustle. She saw his power, but she weaponized her competence. The core conflict wasn’t “Will he choose me?” but “Will his position destroy my credibility?” The best 2018 narratives made the boss the vulnerable one—terrified of an HR complaint, not because he’d be fired, but because she’d see him as just another predator.
The Aesthetic: Cinematography used negative space. Long silences in the executive elevator. Rain on the floor-to-ceiling windows during a midnight argument about quarterly earnings. The signature scene: both of them alone in the office holiday party, him loosening his tie for the first time, her laughing at his failed attempt at casual conversation. The tension wasn’t a kiss—it was him handing her his credit card to buy a new dress after she spilled wine, then leaving the room before she could thank him.
The Flaw: Looking back, the 2018 boss was a fantasy of reformability. The message was seductive but dangerous: His structural power is okay, because he’ll use it ethically, for you. We believed a man who signs paychecks could separate dominance from devotion. The trope worked because it promised that the economic chasm between boss and employee could be bridged by a single, perfect emotion.
Verdict: The 2018 boss in love was a beautifully constructed lie—a power imbalance wrapped in cashmere, sold as a slow burn. And we devoured it. Not because we wanted to date our bosses, but because we wanted to believe that even in the cold, quantified world of open offices and KPIs, someone powerful might see us as more than a line item. Two years later, remote work and Slack would kill the proximity required for the trope. But for one year, the corner office felt like a confession booth—and we were all listening.
Boss in Love (상사연애) is a 2018 South Korean short film directed by Ahn Ji-hee
. Known for its sweet and lighthearted tone, it is a notable entry in the Yuri (lesbian romance) genre within Korean independent cinema. Film Overview Release Date: November 7, 2018. Approximately 16 minutes. Ahn Ji-hee. Romance / LGBTQ+ (Yuri). Plot Summary The story centers on
(played by Kim Yu-ra), a vice-chief who stays late at the office to work overtime. Her girlfriend,
(Choi Woo-jeong), visits her at the workplace for an impromptu late-night date. The romantic atmosphere is suddenly interrupted when
(Choi Min-je), a new and somewhat oblivious employee, unexpectedly returns to the office, leading to a series of awkward and charming interactions. Cast and Key Characters as Se-young: The diligent boss. Choi Woo-jeong as Hye-mi: Se-young’s supportive partner. Choi Min-je as Joo-ah: The new employee who breaks the tension. Critical Reception Audience reviews on platforms like Letterboxd describe the film as: Light and Refreshing:
Often compared to a short webtoon due to its bright, "adult-style" comic book characters and "manhwa-like" aesthetic. Natural Performances:
Praised for the natural chemistry and credible interactions between the leads. Short but Sweet:
While the runtime is brief and the plot is simple, it is frequently recommended for viewers looking for a "soft" or "cute" romance. recommendations for similar Korean Yuri titles? Boss in Love (2018) directed by Ahn Ji-hee - Letterboxd
Title: Boss in Love (2018) Also Known As: The Boss Is in Love Genre: Romance, Comedy
Synopsis: The story revolves around Song (played by Sukrit Wisetkaew), a young and talented engineer who works for a company owned by the wealthy and influential Boss, Pong (played by Chanon Santinatornkul). Song has a crush on his boss, Pong, but tries to keep his feelings hidden.
However, things take a turn when Pong starts to develop feelings for Song, unaware of Song's long-held secret crush. As they navigate their emotions and workplace dynamics, they must confront their own feelings and the challenges that come with their different roles.
Themes: The drama explores themes of love, acceptance, workplace relationships, and self-discovery.
Cast: