Ii - Allie X Collxtion

One of the album’s most underrated deep cuts. "Vintage" compares a lover to aging, decaying material. The production here is groovier, almost funky, but the lyrics are devastating. She sings about being replaced by a "newer model"—a direct jab at the transient nature of L.A. relationships.

A collaboration with the late SOPHIE (her only co-production credit on a non-PC Music release), “Vintage” is about performing desirability. The lyric “I’m vintage, baby / You can’t afford me” is both a flex and a lament. The track’s metallic percussion and warped bass suggest a luxury object that is also a trap. The protagonist knows she is being fetishized for her “old soul” aesthetics, but she leans into the role because it grants temporary power. The bridge (“You want a woman who’s a lady / And a lover who’s a freak”) exposes the impossible dual demand placed on women’s sexuality. allie x collxtion ii

The most radio-friendly track, and therefore the most ironic. “That’s So Us” celebrates dysfunction: fighting in parking lots, making up in hotels, blocking and unblocking each other. The chorus is anthemic, but the lyrics are a red flag parade. Allie X performs the role of the girl who romanticizes her own damage, and the production (bright, major-key, handclaps) sells the delusion perfectly. The song functions as a critique of every pop song that glamorizes “passionate” chaos. The final repetition of the title is sung through a vocoder—as if even the protagonist no longer believes her own narrative. One of the album’s most underrated deep cuts